Abstract
The theatre for which these plays were written was the creation of seven people: four players, Sara Allgood, her sister Maire O’Neill, girls in a blind factory who joined a patriotic society; William Fay, Frank Fay, an electric light fitter and an accountant’s clerk who got up plays at a coffee-house; three writers, Lady Gregory, John Synge, and I. If we all told the story we would all tell it differently. Somewhere among my printed diaries is a note describing how on the same night my two sisters and their servant dreamt the same dream in three different grotesque forms. Once I was in meditation with three students of the supernormal faculties; our instructor had given us the same theme, what, I have forgotten; one saw a ripe fruit, one an unripe, one a lit torch, one an unlit. Science has never thought about the subject and so has no explanation of those parallel streams that make up a great part of history. When I follow back my stream to its source I find two dominant desires: I wanted to get rid of irrelevant movement—the stage must become still that words might keep all their vividness— and I wanted vivid words.
Written for a complete edition of Yeats’s works which was never produced.
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© 1961 Mrs W. B. Yeats
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Yeats, W.B. (1961). An Introduction for my Plays. In: Essays and Introductions. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-00618-2_41
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DOI: https://doi.org/10.1007/978-1-349-00618-2_41
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-00620-5
Online ISBN: 978-1-349-00618-2
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