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Abstract

IN DISCUSSING the culture of a period, historians often employ the German term Zeitgeist, the spirit of the age. The culture of each epoch is likely to have a dominant trend that manifests itself to a greater or lesser degree in every one of its phases, such as philosophy, literature, art, and architecture. In a period like the Middle Ages, where the dominant trend is strong and clear, an understanding of the zeitgeist is necessary for any adequate comprehension of the culture of the age. But it is important to remember that every culture contains elements that do not conform to the zeitgeist. Some of these elements have no future and are but dying remnants of earlier civilizations. Others are seeds that will grow and flower in a later period. Too often the impressive grandeur of the central theme of mediaeval culture has tempted historians either to neglect these inconsistent elements, or to try by some tour de force to fit them into the general pattern. In this chapter we shall attempt to keep the dominant trend clearly in sight but at the same time give adequate notice to all important contradictory elements, especially those that were to flourish in the future.

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Bibliography

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© 1979 Macmillan Publishers Limited

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Painter, S. (1979). Mediaeval Civilization. In: A History of the Middle Ages 284–1500. Palgrave, London. https://doi.org/10.1007/978-1-349-00284-9_14

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  • DOI: https://doi.org/10.1007/978-1-349-00284-9_14

  • Publisher Name: Palgrave, London

  • Print ISBN: 978-0-333-04317-2

  • Online ISBN: 978-1-349-00284-9

  • eBook Packages: Palgrave History CollectionHistory (R0)

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