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To the Moon: Discovering the Comic in the Cosmic on the Early Modern English Stage

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Literature in the Age of Celestial Discovery

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Abstract

Ben Jonson (1572–1637), bricklayer, soldier, actor and poet, was also the first playwright to “discover” life on the moon. In his masque News from the New World Discovered in the Moon (1620), two Heralds proclaim that a poet who recently visited the Moon has found a new world: an “Earth inhabited,” replete with “new creatures,”2 aliens with hybrid identities who demonstrate characteristics of both male and female, human and animal. This new world, one Herald explains, contains the “Isle of the Epicoenes,” where “under one Article both kindes are signified, for they are fashioned alike, male and female the same” (ll. 275–78).3 And these androgynous Epicoenes have a unique trait: they reproduce by laying eggs (l. 285). From these eggs are born yet another Moon-species, the Volatees, a word coined by Jonson from the similar Latin word meaning flying or winged.4 It is an appropriate name given that the eggs reveal “a race of Creatures like men, but are indeed a sort of Fowle, in part covered with feathers” (286–88).

We have been led to the conclusion that we certainly see the surface of the Moon to be not smooth, even, and perfectly spherical, as the great crowd of philosophers have believed about this and other heavenly bodies, but, on the contrary, to be uneven, rough, and crowded with depressions and bulges. And it is like the face of the Earth itself.

—Galileo, Sidereus Nuncius 1

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Notes

  1. Galileo Galilei, Sidereus Nuncius or The Sidereal Messenger, trans. Albert Van Helden (Chicago: University of Chicago Press, 1989), 40.

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  2. Ben Jonson, News from the New World Discovered in the Moon, in Ben Jonson, vol. VII, ed. C. H. Herford, Percy Simpson and Evelyn Simpson (Oxford: Clarendon Press, 1941), 11. 128 and 126. References to this masque are by line numbers only.

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  3. Mary Baine Campbell, Wonder and Science: Imagining Worlds in Early Modern Europe (Ithaca: Cornell University Press, 1999), 115.

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  4. See Elizabeth Spiller, Science, Reading, and Renaissance Literature: The Art of Making Knowledge 1580–1670 (Cambridge: Cambridge University Press, 2004); and Ladina Bezzola Lambert, Imagining the Unimaginable: The Poetics of Early Modern Astronomy (Amsterdam: Rodopi, 2002).

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  5. Howard Marchitello, The Machine in the Text: Science and Literature in the Age of Shakespeare and Galileo (New York: Oxford University Press, 2011), 6.

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  6. Marjorie Hope Nicolson, “Cosmic Voyages,” English Literary History 7.2 (1940), 85. Nicolson also includes Jonson’s News from the New World, as well as other plays, in her extensive bibliography of the texts that fall within this new genre in her Voyages to the Moon (1948; New York: Macmillan Company, 1960).

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  7. Darko Suvin, Metamorphoses of Science Fiction: On the Poetics and History of a Literary Genre (New Haven: Yale University Press, 1979), 63.

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  8. Adam Roberts, The History of Science Fiction (Houndmills, Basingstoke: Palgrave Macmillan, 2006), 1.

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  9. John Wilkins, The Discovery of a World in the Moone, introduction by Barbara Shapiro (Delmar, NY: Scholars’ Facsimiles & Reprints, 1973).

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  10. John Wilkins, The Discovery of a New World, or, A Discourse Tending to Prove, that (it is Probable) There May be Another World in the Moon, in The Mathematical and Philosophical Works of the Right Rev. John Wilkins, vol. 1 (1640; repr., London: Frank Cass, 1970, a facsimile of the 1802 edition), 109.

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  11. Bruce McLeod, The Geography of Empire in English Literature 1580–1745 (Cambridge: Cambridge University Press, 1999), 21; and

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  12. Walter S. H. Lim, The Arts of Empire: The Poetics of Colonialism from Ralegh to Milton (Newark: University of Delaware Press, 1998), 16.

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  13. Nicholas P. Canny, “The Ideology of English Colonization: From Ireland to America,” The William and Mary Quarterly, Third Series, 30.4 (1973), 585–586.

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  14. Stephen Orgel and Roy Strong, Inigo Jones: The Theatre of the Stuart Court, vol. 1 (London: Sotheby Parke Bernet, 1973), 312.

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  15. Sean McEvoy, Ben Jonson, Renaissance Dramatist (Edinburgh: Edinburgh University Press, 2008), 77.

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  16. Gerald Eades Bentley, The Jacobean and Caroline Stage: Plays and Playwrights, vol. 3 (Oxford: Clarendon Press, 1956), 339.

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  17. William Harmon and Hugh Holman, eds., “Comedy,” A Handbook to Literature, 10th edn (Upper Saddle River, NJ: Pearson, 2006), 109.

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Judy A. Hayden

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© 2016 Gabrielle Sugar

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Sugar, G. (2016). To the Moon: Discovering the Comic in the Cosmic on the Early Modern English Stage. In: Hayden, J.A. (eds) Literature in the Age of Celestial Discovery. Palgrave Studies in Literature, Science and Medicine. Palgrave Macmillan, New York. https://doi.org/10.1007/978-1-137-56803-8_5

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