Abstract
The vibrancy of women’s literary writing in the UK from the 1970s to the present is matched by the diversity of women’s journalistic writing over the same period. The unstable boundary between news and literary journalism, made fluid by rapid social, cultural, and technological change, makes the field difficult to define. Consequently, journalism is often treated as a devalued cultural form.1 Yet the importance of this area is indicated by the considerable number of successful novelists who began their careers as journalists — Angela Carter (1940–92), Helen Fielding, and Zoë Heller, for instance — and by literary authors who moved into journalism, such as Jeanette Winterson, Zadie Smith, and Bidisha.2
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Notes
See Catherine Clay, ‘Book Review: Women Making News: Gender and Journalism in Modern Britain’, Feminist Theory, 8:3 (2007), pp. 353–4;
Michelle Elizabeth Tusan, Women Making News: Gender and Journalism in Modern Britain (Urbana: University of Illinois Press, 2005).
See John Hartsock, ‘“Literary Journalism” as an Epistemological Moving Object within a Larger “Quantum Narrative”‘, Journal of Communication Research, 23:4 (1999), pp. 432–47.
Richard Keeble, ‘Introduction: On Journalism, Creativity and the Imagination’, The Journalistic Imagination: Literary Journalists from Defoe to Capote and Carter, ed. Richard Keeble and Sharon Wheeler (London: Routledge, 2007), p. 3.
Michael Schudson, Discovering the News (New York: Basic Books, 1981).
See Deborah Chambers, Linda Steiner, and Carole Fleming, Women and Journalism (London: Routledge, 2004).
Gaye Tuchman, Making News (New York: The Free Press, 1978), pp. 47–8.
John Hartley, Understanding News (London: Methuen, 1982), p. 38.
Dustin Harp, ‘Newspapers’ Transition from Women’s to Style Pages: What Were They Thinking?’, Journalism, 7:2 (2006), p. 213.
Hugh Massingberd, The Daily Telegraph Third Book of Obituaries: Entertainers, Vol. 3 (London: Pan Books, 1998), p. 203.
Jean Rook, Rook’s Eye View (Worthing: Littlehampton Books Services, 1979).
Lynn Barber, An Education (Harmondsworth: Penguin, 2009);
Lynn Barber, ‘An Education’, Granta, 82 (1993), pp. 203–23.
Suzanne Moore, Head Over Heels (London: Viking, 1996), p. xii, p. xiv.
See E. Dennise Everette and William L. Rivers, Other Voices: The New Journalism in America (San Francisco: Canfield Press, 1974).
John Hollowell, Fact and Fiction: The New Journalism and the Nonfiction Novel (Chapel Hill: University of North Carolina Press, 1977), see Chapters 2 and 6.
Angela Carter, ‘Notes from a Maternity Ward’, Shaking a Leg: Collected Journalism and Writings, ed. Jenny Uglow (London: Vintage, 1998), pp. 29–30.
See Maggie Tonkin, Angela Carter and Decadence: Critical Fictions/Fictional Critiques (Basingstoke: Palgrave Macmillan, 2012).
Zoe Heller, ‘Girl Columns’, Secrets of the Press: Journalists on Journalism, ed. Stephen Glover (Harmondsworth: Penguin, 1999), pp. 10–17.
See Margaret Beetham, ‘Periodicals and the New Media: Women and Imagined Communities’, Women’s International Forum, 29 (2006), p. 238.
See Rosalind Gill and Christina Scharff, ‘Introduction’, New Femininities, ed. Gill and Scharff (Basingstoke: Palgrave Macmillan, 2011), pp. 1–20.
Lynn Cornelia, ‘Fifty Shades of Erotic Stimulus’, Feminist Media Studies, 13:3 (2013), pp. 563–6.
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© 2015 Deborah Chambers
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Chambers, D. (2015). Media Old and New. In: Eagleton, M., Parker, E. (eds) The History of British Women’s Writing, 1970-Present. The History of British Women’s Writing. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-137-29481-4_5
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DOI: https://doi.org/10.1007/978-1-137-29481-4_5
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