Abstract
This chapter considers the preoccupations and forms that characterize British women’s writing in the new millennium. We argue that these are, firstly, multiculturalism with its questioning of race, religion, and culture, and its relationship, if any, to terrorism. Secondly, this chapter will address the treatment in fiction of the issue of an ageing population, and the resultant concerns with women’s changing roles in relation to employment, fertility, and childcare. Thirdly, an anxiety about climate change and environmental catastrophe manifests itself in a renewed interest in dystopian, post-apocalyptic writing. Finally, we consider the impact of technological change. The fact that publishing faces its greatest upheaval since Johannes Gutenberg’s fifteenth-century invention of the printing press is leading to contemporary women’s diverse interest in new technologies, including the internet, ebook and digital publishing, and other interactive online formats.
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Notes
Quoted in Michael Banton, Ethnic and Racial Consciousness (Abingdon: Routledge, 2014), p. 61.
Susan Moller Okin, ‘Is Multiculturalism Bad for Women?’, Susan Moller Okin et al., Is Multiculturalism Bad for Women? (Princeton University Press, 1999), p. 12.
Marie Macey, Multiculturalism, Religion and Women: Doing Harm By Doing Good? (Basingstoke: Palgrave Macmillan, 2009).
For examples of postsecular approaches, see Rosi Braidotti, ‘In Spite of the Times: The Postsecular Turn in Feminism’, Theory, Culture and Society, 25:6 (2008), pp. 1–24, and
Lila Abu-Lughod, ‘Do Muslim Women Really Need Saving?: Anthropological Reflections on Cultural Relativism and Its Others’, American Anthropologist, 104:3 (2002), p. 788.
Ana Maria Sanchez-Arce, ‘“Authenticism”, or the Authority of Authenticity’, Mosaic, 40:3 (2007), pp. 139–55, p. 139.
Monica Ali, In the Kitchen (London: Black Swan, 2009), p. 129.
Paul Gilroy, After Empire: Melancholia or Convivial Culture (London: Routledge, 2004), p. x.
Victoria Brittain and Gillian Slovo, Guantanamo: ‘Honor Bound to Defend Freedom’ (London: Oberon, 2004), pp. 51–2. The solicitor Gareth Peirce is renowned for her defence of human rights and campaigns against miscarriages of justice.
For a useful survey of Guardian reporting of this Sikh cultural flashpoint, see http://arts.guardian.co.uk/behzti. For an academic article which pays close attention to the Sikh context and perspective, see Gurharpal Singh, ‘British Multiculturalism and Sikhs’, Sikh Formations, 1:2 (2005), pp. 157–73.
Gurpreet Kaur Bhatti, Behzti (London: Oberon, 2012), n.p.
Alison Fell, Trlcks of the light (London: Black Swan, 2004), p. 52.
Margaret Morganroth Gullette, Aged by Culture (University of Chicago Press, 2004), p. 19.
Kathleen Woodward, ed., Figuring Age: Women, Bodies, Generations (Bloomington: Indiana University Press, 1999), p. xiii.
Sarah Falcus, ‘Addressing Age in Michèle Roberts’s Reader, I Married Him’, Contemporary Women’s Writing, 7:1 (2013), p. 32.
Barbara Frey Waxman, To Live in the Center of the Moment: literary Autobiographies of Aging (Charlottesville: University Press of Virginia, 1997), p. 13; From the Hearth to the Open Road: A Feminist Study of Ageing in Contemporary literature (New York: Greenwood Press, 1990), pp. 1–22.
See Susan Watkins, “‘Summoning your youth at will”: Memory Time and Aging in the Work of Penelope Lively Margaret Atwood and Doris Lessing’, Frontiers: A Journal of Women’s Studies, 34:2 (2013), pp. 222–44.
Edward W. Said, On Late Style: Music and Literature Against the Grain (London: Bloomsbury, 2006), p. 12.
Gordon McMullan, Shakespeare and the Idea of Late Writing (Cambridge University Press, 2007), p. 17.
Liz Jensen, War Crimes for the Home (London: Bloomsbury, 2002), p. 29.
Penelope Lively, Ammonites and Leaping Fish: A Life in Time (London: Penguin, 2013), p. 43.
Lynne Segal, Out of Time: The Pleasures and Perils of Ageing (London: Verso, 2014), p. 4.
Diana Athill, Somewhere Towards the End (London: Granta, 2008), pp. 21–2.
Frank Kermode, The Sense of an Ending: Studies in the Theory of Fiction (Oxford University Press, 1967), p. 35.
See Francis Fukuyama, The End of History and the Last Man (New York: Free Press, 1992).
Ali Smith, Girl Meets Boy (Edinburgh: Canongate, 2007), p. 124.
Jane Rogers, The Testament of Jessie Lamb (Dingwall: Sandstone Press, 2011), p. 62.
See Susan Watkins, ‘Future Shock: Rewriting the Apocalypse in Contemporary Women’s Fiction’, LIT: Literature, Interpretation, Theory, 23:2 (2012), pp. 119–37.
Margaret Toye, ‘Donna Haraway’s Cyborg Touching (Up/On) Luce Irigaray’s Ethics and the Interval Between: Poethics as Embodied Writing’, Hypatia, 27:1 (2012), p. 191.
Stacey Alaimo, Bodily Natures: Science, Environment and the Material Self (Bloomington: Indiana University Press, 2010), p. 2.
Aaron S. Rosenfeld, ‘Re-membering the Future: Doris Lessing’s “Experiment in Autobiography”‘, Critical Survey, 17:1 (2005), p. 40.
Sarah Hall, The Carhullan Army (London: Faber and Faber, 2007), p. 207.
Greg Garrard, Ecocriticism (London: Routledge, 2004), p. 87.
Steven Connor, The English Novel in History, 1950–1995 (London: Routledge, 2001), p. 205.
See Suniti Namjoshi, The Reader’s Text of Building Babel: A Novel with Interactive Hypertext Links (Melbourne: Spinifex Press), www.spinifexpress.com.au/BabelBuildingSite/, accessed 22 November 2013.
Kate Pullinger and Chris Joseph, Inanimate Alice, www.inanimatealice.com/index. html, accessed 22 November 2013.
Caroline Herbert, ‘Lyric Maps and the Legacies of 1971 in Kamila Shamsie’s Kartography’, Journal of Postcolonial Writing, 47:2 (2011), pp. 159–72, p. 171.
George P. Landow, Hypertext: The Convergence of Contemporary Critical Theory and Technology (Baltimore: Johns Hopkins University Press, 1992), p. 2.
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© 2015 Claire Chambers and Susan Watkins
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Chambers, C., Watkins, S. (2015). Writing Now. In: Eagleton, M., Parker, E. (eds) The History of British Women’s Writing, 1970-Present. The History of British Women’s Writing. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-137-29481-4_17
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DOI: https://doi.org/10.1007/978-1-137-29481-4_17
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