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Women Characters and the Limits of Patriarchy in the Poema De Mio Cid and Mocedades De Rodrigo

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Part of the book series: The New Middle Ages ((TNMA))

Abstract

This chapter focuses on women characters in the two longest extant Castilian epic poems. The Poema de Mio Cid (PMC) narrates the exploits of the mature Rodrigo Diaz de Vivar from the moment of his exile from Castile up to the successful second marriages of his daughters and his death. Mocedades de Rodrigo (MR), in contrast, is a later and shorter text which describes some of the youthful exploits of Rodrigo Diaz. The principal argument advanced here is that the relationships of female characters to sociopolitical hierarchies and codes in these texts are more complex than has hitherto been acknowledged. Women in these two epics are without exception excluded from official positions of political authority, but this is not to say that they do not exercise power in unconventional ways, often on the margins of the exchange systems upon which social and political life is based.

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Notes

  1. Ramón Menéndez Pidal, En torno al Poema del Cid (Barcelona-Buenos Aires: Editera y Distribuidora Hispano Americana, 1963), pp. 213–16.

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  2. Ramón Menéndez Pidal, Poesia juglaresca y juglares: aspectos de la historici literaria y cultural de Espana (Madrid: Centro de Estudios Históricos, 1924), pp. 343 and 453.

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  3. Ramón Menéndez Pidal, L’Epopée castillaneà travers ia littérature espagnole, trans. Henri Mérimée (Paris: Armand Colin, 1910), p. 122.

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  4. Ramon Menéndez Pidal, Rdiquias de la poesiaépica espanola (Madrid: Espasa Calpe, 1951), p. lxxiv.

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  5. Alan D. Deyermond, Epic Poetry and the Clergy: Studies on the Mocedades de Rodrigo, Támesis, A. 5 (London: Támesis, 1969), p. 22.

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  6. Eukene Lacarra Lanz, “Political Discourse and the Construction and Representation of Gender in Mocedades de Rodrigo,” Hispanic Review 67 (1999): 473 [467–91].

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  7. Lucy A. Sponsler, Women in the Medieval Spanish Epic and Lyric Traditions (Lexington: University Press of Kentucky, 1975), p. 9.

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  8. Sarah Kay, The Chansons de geste in the Age of Romance: Political Fictions (Oxford: Clarendon Press, 1995), p. 36.

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  9. Simon Gaunt, Gender and Genre in Medieval French Literature (Cambridge: Cambridge University Press, 1995), p. 24.

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© 2007 Sara S. Poor and Jana K. Schulman

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Caldin, T. (2007). Women Characters and the Limits of Patriarchy in the Poema De Mio Cid and Mocedades De Rodrigo . In: Poor, S.S., Schulman, J.K. (eds) Women and Medieval Epic. The New Middle Ages. Palgrave Macmillan, New York. https://doi.org/10.1007/978-1-137-06637-4_5

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