Abstract
Contemporary scholars approach the matter of a “historical” Arthur with caution; fiction writers avail themselves freely of the “unknowable”— the information gaps of the legend—as a langue for their parole. Archaeological or genealogical data are deployed not only tor the aura of verisimilitude they can impart, but also as a means of signaling the implied audience and defining the ideological frameworks of the “Arthurian” narrative. I wish to argue that the Arthurian series of Jack Whyte and Bernard Cornwell, grounded in nostalgia for empire and framed by ideologies and subgenres reminiscent of nineteenth-century adventure fiction, discard the romance elements of the legend, thus preserving the wartime crisis atmosphere conducive to narratives of hypermasculine activity; further, the authors use the factitiousness of the “historical” Arthurian world as the basis for ironic interrogation (Cornwell) or for occasionally tendentious idealization (Whyte) of the received tradition.
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Notes
Jack Whyte, The Singing Sword (New York: Tor, 1996), pp. 539–42.
See the essay by Donald Hall, “On the Making and Unmaking of Monsters: Christian Socialism, Muscular Christianity, and the Metaphorization of Class Conflict,” in Muscular Christianity: Embodying the Victorian Age, ed. Donald E. Hall (Cambridge, UK: Cambridge University Press, 1994), pp. 45–65.
Graham Dawson, Soldier Heroes: British Adventure, Empire and the Imagining of Masculinity (London and New York: Routledge, 1994), p. 48.
Joseph Bristow, Empire Boys: Adventures in a Man’s World (London and New York: Unwin Hyman, 1991), p. 147.
Athanasios Moulakis, “Civic Humanism,” in The Stanford Encyclopedia of Philosophy, ed. Edward N. Zalta (Winter 2002).
David Rosen, “The Volcano and the Cathedral: Muscular Christianity and the Origins of Primal Manliness,” in Muscular Christianity: Embodying the Victorian Age, ed. Donald E. Hall (Cambridge, UK: Cambridge University Press, 1994), pp. 17–44.
Martin Green, Dreams of Adventure (New York: Basic Books, 1979), p. 10.
Jack Whyte, Uther (NewYork: Tor, 2001), p. 111.
Jack Whyte, The Saxon Shore (New York: Tor, 1998), p. 291.
Dan Nastali, “Arthur Without Fantasy: Dark Age Britain in Recent Historical Fiction,” Arthuriana 9 (1999): 7.
Jack Whyte, The Eagles’ Brood (New York: Tor, 1997), pp. 505–08.
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© 2005 Stephanie Hayes-Healy
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Rutledge, A.A. (2005). The Grunts’ King Arthur: Civic Humanism, Masculinities, and Legend in the Novels of Jack Whyte and Bernard Cornwell. In: Hayes-Healy, S. (eds) Medieval Paradigms. The New Middle Ages. Palgrave Macmillan, New York. https://doi.org/10.1007/978-1-137-03706-0_11
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DOI: https://doi.org/10.1007/978-1-137-03706-0_11
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