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Zworykin

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The Cinema in Flux
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Abstract

The most concerted and successful effort to develop broadcast television was made by the RCA television research lab on the top floor of the RCA Victor factory in Camden, New Jersey. At this time the company was firmly under the leadership of David Sarnoff, who fully supported lab director Vladimir Kosmich (Anglicized as Kosma) Zworykin (1889–1982) and his efforts to create an all-electronic system. Zworykin, credited as the seminal inventor and research leader in the field, found his calling as a student at the St. Petersburg Technological Institute working in the lab of his mentor Professor Boris L’vovich Rosing (also given a Rozing). Rosing was one of the first to use the Braun tube as an image display device for what he called electrical telescopy. His student Vladimir was born to a well-off family in Murom, a commercial center 150 hundred miles east of Moscow. Zworykin had originally entered the St. Petersburg Polytechnic Institute as a physics student, but his father, who ran a passenger ship line on the Oka River, a tributary of the Volga, decided the school was a hotbed of liberal values and had him transfer to the Imperial Institute of Technology in St. Petersburg, where as fate would have it, he met Rosing (Abramson 1995, p. 10). Zworykin remained in St. Petersburg for 6 years, three of them, between 1910 and 1912, were spent working in a cramped basement lab with Rosing. In 1907 Rosing first put together a hybrid television system using an electro-mechanical (mirror-drum) pickup and an electronic (Braun tube) display, as described in the chapter Vision at a Distance. On May 9, 1911, while Zworykin was at St. Petersburg, Rosing made an entry in his notebook describing what he observed on his CRT’s screen as a “distinct image (that) was seen for the first time, consisting of four luminous bands,” which was the most successful transmission he would achieve (Stashower 2002). It was left to Rosing’s pupil to improve his teacher’s design and create the basis for the TV sets that were manufactured in the hundreds of millions.

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Notes

  1. 1.

    Marshall (2011, p. 215) credits von Ardenne as first to put the CRT flying-spot into practice, but at the time, its light output was not bright enough to be useful.

  2. 2.

    Marshall (2011, p. 215) suspects the account is apocryphal and comments that the project must cost more nearly $50 million dollars, which is nearly a billion dollars today.

  3. 3.

    In the context of the TV set, the Kinescope was usually called a cathode ray tube, and Kinescope was also used to describe the motion picture made by filming the face of a CRT.

  4. 4.

    In addition to Farnsworth and Zworykin, other inventors were working on creating an electronic television camera, including Kálmán Tihanyi in Hungary, Franscois Charles Pierre P. Henrouteau in Canada, George J. Blake and Henry D. Spoor in England, Riccardo Bruno in England, S. I. Kataev in Russia, and Kenjiro Takayanagi in Japan (Webb 2005, p. 31).

  5. 5.

    According to Marshall the EMI-Marconi, records are sealed.

  6. 6.

    In 1937 RCA, with the concurrence of the American government, sold technology and hardware to the USSR, worth about $10 million (Marshall 2011, p.p. 38, 39).

  7. 7.

    Telefunken and Fernseh licensed the Iconoscope from RCA to further Nazi propaganda efforts (Marshall 2011, p. 290).

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Web Sites

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Lipton, L. (2021). Zworykin. In: The Cinema in Flux. Springer, New York, NY. https://doi.org/10.1007/978-1-0716-0951-4_74

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  • DOI: https://doi.org/10.1007/978-1-0716-0951-4_74

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