Abstract
These quotations demonstrate both popular media images and the kinds of engaged responses contemporary Pacific Rim women writers have developed to counter cultural stereotypes representing them as sexually pliable, noble savages. This chapter concentrates on women’s writing from Oceania, the Pacific Rim area, looking at colonial history and cultural stereotypes, exploring conditions which enable writing and publication. It considers work by several women, particularly Marjorie Crocombe, Konai Helu Thaman, Momo von Reiche, Jully Sipolo, Teresia Teaiwa, Grace Mare Molisa, and Vanessa Griffen, all of whom deal with issues of cultural identity, the roles and representation of women.
She wears red feathers and a huly huly skirt, she wears red feathers and a huly huly skirt, she lives on just coconuts and fish from the sea, … with love in her heart from me.
(Popular song of the 1940s)
she wears lei around Gauginesque blossoming breasts sweeping brown round and around looping above firm flat belly button peeking over see-thru hula skirt
(not from her island — but what does it hurt?)
… ‘Lovely hula hands’ (this line to be sung to the tune of the popular song which it appears in) always understands make good island wife — for life — no strife
(Tusitala Marsh, ‘Statued [stat you?] Traditions’, 1997, p. 52)
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© 2000 Gina Wisker
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Wisker, G. (2000). Oceania — Pacific Rim Writing. In: Post-Colonial and African American Women’s Writing. Palgrave, London. https://doi.org/10.1007/978-0-333-98524-3_14
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DOI: https://doi.org/10.1007/978-0-333-98524-3_14
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