Abstract
Upon his untimely passing on Christmas Day 2006, a flourish of James Brown retrospectives hit the airwaves and mainstream print. As a pop music star in the 1960s, James Brown was a part of the coming of age of an entire American generation. As the engine of a traveling rhythm and blues machine, the relentless touring and driven, polished production of the James Brown revue, Brown was an icon of working class black success in America. As a defiant example of uncompromising “blackness,” James Brown delivered the black aesthetic that so many impatient nationalists in the black arts movement of the 1960s hoped to bring to the black masses. Throughout his half-century long career, James Brown broke so many barriers and redefined so many social categories that one could easily lose track of the scope of his Herculean achievements.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Similar content being viewed by others
Notes
LeRoi Jones, Black Music (New York: William Morrow, 1970), 186.
Cynthia Rose, Living in America, The Soul Saga of James Brown (London: Serpent’s Tail, 1990), 52.
James Brown, I Feel Good: A Memoir of a Life of Soul (London: New American Library, 2005), 80.
James Brown and Bruce Tucker, James Brown: The Godfather of Soul (New York: Macmillan 1986), 158.
Fred Wesley, Hit Me Fred: Recollections of a Sideman (Durham: Duke University Press, 2005), 107.
Larry Neal, “The Social Background to the Black Arts Movement,” The Black Scholar 18, no. 1 (1987): 19.
Michael Veal Fela, The Life and Times of an African Musical Icon (Philadelphia, PA: Temple University Press, 2000), 62.
Gary Stewart, Breakout: Profiles in African Rhythm (Chicago: University of Chicago Press, 1992), 118.
John Miller Chernoff, African Rhythm and African Sensibility (Chicago and London: University of Chicago Press, 1979), 73–74.
Editor information
Copyright information
© 2008 Tony Bolden
About this chapter
Cite this chapter
Vincent, R. (2008). James Brown: Icon of Black Power. In: Bolden, T. (eds) The Funk Era and Beyond. Signs of Race. Palgrave Macmillan, New York. https://doi.org/10.1007/978-0-230-61453-6_4
Download citation
DOI: https://doi.org/10.1007/978-0-230-61453-6_4
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-0-312-29608-7
Online ISBN: 978-0-230-61453-6
eBook Packages: Palgrave Social & Cultural Studies CollectionSocial Sciences (R0)