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FDDI-based digital audio interfaces

  • U. Zölzer
  • N. Kalff
Conference paper
Part of the Lecture Notes in Computer Science book series (LNCS, volume 614)

Abstract

Digital audio processing is an emerging field of different standards for consumer and professional applications. Besides three main sampling frequencies (professional 48 kHz, consumer 44.1 kHz, broadcasting 32 kHz) two transmission formats have been established, namely a two-channel serial transmission format (AES/EBU-Format) and a multichannel audio digital interface (MADI). The interface techniques between these adopted standards will be discussed considering synchronization problems and the hardware complexity.

Keywords

Digital Signal Processor Hardware Complexity Synchronization Problem Digital Audio Reference Clock 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

References

  1. [1]
    Audio Engineering Society, “AES Recommended Practice for Digital Audio Engineering — Serial Transmission Format for Linearly Represented Digital Audio Data,” J. Audio Eng. Soc., Vol. 33, pp. 975–984, 1985Google Scholar
  2. [2]
    Audio Engineering Society, “AES Recommended Practice for Digital Audio Engineering — Serial Multichannel Digital Audio Interface (MADI),” J. Audio Eng. Soc., Vol. 39, pp. 368–377, 1991Google Scholar
  3. [3]
    Am7968/Am7969 Transparent Asynchronous Xmitter-receiver Interface Data Sheet, Advanced Micro Devices, Sunnyvale, CA, May 1987Google Scholar
  4. [4]
    R.E. Crochiere, L.R. Rabiner, Multirate Digital Signal Processing, Prentice-Hall, Englewood Cliffs, 1983Google Scholar

Copyright information

© Springer-Verlag Berlin Heidelberg 1992

Authors and Affiliations

  • U. Zölzer
    • 1
  • N. Kalff
    • 1
  1. 1.Telecommunications GroupTechnical University of Hamburg-HarburgHamburg 90FRG

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