Skip to main content

Abstracting Musical Queries: Towards a Musicologist’s Workbench

  • Conference paper
Computer Music Modeling and Retrieval (CMMR 2005)

Part of the book series: Lecture Notes in Computer Science ((LNISA,volume 3902))

Included in the following conference series:

  • 648 Accesses

Abstract

In this paper, we propose a paradigm for computer-based music retrieval and analysis systems that employs one or more explicit abstraction layers between the user and corpus– and representation–specific tools. With illustrations drawn from “battle music”, a genre popular throughout Renaissance Europe, we show how such an approach may not only be more obviously useful to a user, but also offer extra power through the ability to generalise classes of tasks across collections.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. Gruber, T.: What is an Ontology (1998), http://www-ksl.stanford.edu/kst/what-is-an-ontology.html

  2. Lewin, D.: Generalized Musical Intervals and Transformations. Yale University Press, New Haven, London (1987)

    Google Scholar 

  3. Wiggins, G., Harris, M., Smaill, A.: Representing Music for Analysis and Composition (1989), http://www.doc.gold.ac.uk/~mas02gw/papers/EWAIM89.pdf

  4. Conklin, D.: Representation and discovery of vertical patterns in music. In: Anagnostopoulou, C., Ferrand, M., Smaill, A. (eds.) ICMAI 2002. LNCS, vol. 2445, pp. 32–42. Springer, Heidelberg (2002)

    Chapter  Google Scholar 

  5. Smaill, A., Wiggins, G., Harris, M.: Hierarchical Music Representation for Composition and Analysis. Journal of Computing and the Humanities 27, 7–17 (1993)

    Article  Google Scholar 

  6. Kassler, M.: Toward Music Information Retrieval. Perspectives of New Music 4, 59–67 (1966)

    Article  Google Scholar 

  7. Page, S.D.: Computer Tools for Music Information Retrieval. PhD thesis, New College and Programming Research Group, University of Oxford (1988)

    Google Scholar 

  8. Huron, D.: What is a Musical Feature? Forte’s Analysis of Brahms’s Opus 51, No. 1, Revisited. Music Theory Online 7 (2001)

    Google Scholar 

  9. Pople, A.: Modelling Musical Structure. In: Cook, N., Clarke, E. (eds.) Empirical Musicology, pp. 127–156. Oxford University Press, Oxford (2004)

    Chapter  Google Scholar 

  10. Kuhn, T.: On the Structure of Scientific Revolutions. University of Chicago Press (1st edn. 1962, postscript added for 2nd edn. 1969)

    Google Scholar 

  11. Bainbridge, D., Cunningham, S.J., Downie, J.S.: How People Describe their Music Information Needs: A Grounded Theory Analysis of Music Queries. In: ISMIR 2003: 4th International Conference on Music Information Retrieval: Proceedings, Baltimore, pp. 221–222 (2003)

    Google Scholar 

  12. Lee, J.H., Downie, J.S.: Survey of Music Information Needs, Uses and Seeking Behaviours: Preliminary Findings. In: ISMIR 2004: 5th International Conference on Music Information Retrieval: Proceedings, Barcelona, pp. 441–446 (2004)

    Google Scholar 

  13. Gale, M.: What’s in a Battle?: Identifying a popular Renaissance Genre. In: 40th Annual Conference of the Royal Musical Association (2004)

    Google Scholar 

  14. Brown, A.: Battle Music. In: Sadie, S., Tyrrell, J. (eds.) The New Grove Dictionary of Music and Musicians, Macmillan, London, vol. 2, pp. 915–917 (2001)

    Google Scholar 

  15. Gale, M., Lewis, D.: “La battaglia”: a computer-assisted approach to an extended musical family. In: The 51st Annual Conference of the Renaissance Society of America (2005)

    Google Scholar 

  16. Crawford, T.: Applications Involving Tablatures: TabCode for Lute Repertories. Computing in Musicology 7, 57–59 (1991)

    Google Scholar 

  17. Janequin, C.: La Guerre. In: Merrit, A.T., Lesure, F. (eds.) Clément Janequin: Chansons polyphoniques, vol. I, Oiseau Lyre, Monaco (1965)

    Google Scholar 

  18. Moderne, J.: Pavane. La Bataille. In: Giesbert, F.J. (ed.) Musique de joye = Fröliche Musik: eine Folge alter Tanzstücke..., Nagels Verlag, Kassel (1970)

    Google Scholar 

  19. Parncutt, R., Sloboda, J.A., Clarke, E.F., Raekallio, M., Desain, P.: An Ergonomic Model of Keyboard Fingering for Melodic Fragments. Music Perception, pp. 341–381 (1997)

    Google Scholar 

  20. Byrd, W.: The Battell. In: Andrews, H. (ed.) My Ladye Nevells Booke of Virginal Music. Curwen & Sons, London (1926) (repr. Dover Editions, New York (1969))

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2006 Springer-Verlag Berlin Heidelberg

About this paper

Cite this paper

Lewis, D., Crawford, T., Wiggins, G., Gale, M. (2006). Abstracting Musical Queries: Towards a Musicologist’s Workbench. In: Kronland-Martinet, R., Voinier, T., Ystad, S. (eds) Computer Music Modeling and Retrieval. CMMR 2005. Lecture Notes in Computer Science, vol 3902. Springer, Berlin, Heidelberg. https://doi.org/10.1007/11751069_22

Download citation

  • DOI: https://doi.org/10.1007/11751069_22

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-540-34027-0

  • Online ISBN: 978-3-540-34028-7

  • eBook Packages: Computer ScienceComputer Science (R0)

Publish with us

Policies and ethics