This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsPreview
Unable to display preview. Download preview PDF.
References
Adorno, T. W. (1984). Aesthetic theory. London: Routledge & Kegan Paul.
Alexander, J. C. (1995). Fin de sidcle social theory. London: Verso.
Antal, F (1966). Classicism and romanticism. New York: Basic Books.
Apollinaire, G. (1913/1949). The Cubist painters. New York: Schultz Wittenborn.
Bahr, H. (1916/1925). Expressionism. London: F. Henderson.
Becker, H. S. (1982). Art worlds. Berkeley: University of California Press.
Bernstein, J. M. (1992). The fate of art. University Park: Pennsylvania University Press.
Blau, J. R. (1980). A framework of meaning in architecture. In G. Broadbent, R. Bunt, & C. Jencks (Eds.), Signs, symbols, and architecture (pp. 333–368). New York: Wiley.
Blau. J. R. (1995). Art museums. In G. R. Carroll & M. T. Hannan (Eds.), Organizations in industry (pp. 87–114). New York: Oxford University Press.
Blau, J. R. (1996). The toggle switch of institutions: Religion and art in the US in the nineteenth and early twentieth centuries. Social Forces, 74, 1159–1177.
Blau, J. R. (2000). Bringing in codependency. In J. Blau (Ed.), Companion to sociology. Malden, MA: Blackwell.
Bourdieu, P. (1984). Distinction. Cambridge, MA: Harvard University Press.
Breton, A. B., Rivera, D., & Trotsky, L. (1938). Towards a free revolutionary art. Partisan Review, 4(1), 49–53.
Bürger, P., & Bürger, C. (Eds.). (1992). The institutions of art. Lincoln: University of Nebraska Press.
Campbell, D., & Shapiro, M. J. (Eds.). (1999). Moral spaces: Rethinking ethics and world politics. Minneapolis: University of Minnesota Press.
Corse, S. M. (1997). Nationalism and literature. Cambridge: Cambridge University Press.
Crane, D. (1987). The transformation of the avant-garde. Chicago: University of Chicago Press.
Crimp, D. (1983). On the museum’s ruins. In H. Foster (Ed.), The anti-aesthetic (pp. 43–56). Port Townsend, WA: Bay Press.
Croce, B. (1913/1965). Guide to aesthetics. Indianapolis: Bobbs-Merrill.
Danto, A. C. (1981). The transfiguration of the commonplace. Cambridge, MA: Harvard University Press.
Danto, A. C. (1985). The philosophical disenfranchisement of art. In P J. McCormick (Ed.), The reasons of art/L’art a ses raisons (pp. 11–22). Ottawa: University of Ottawa Press.
Danto, A. C. (1997). After the end of art. Princeton, NJ: Princeton University Press.
Dewey, J. (1934/1958). Art as experience. New York: Capricorn Books.
Dickie, G. (1988). Evaluating art. Philadelphia: Temple University Press.
DiMaggio, P J. (1982). Cultural entrepreneurship in nineteenth-century Boston. Media, Culture and Society, 4, 33–50.
Dziemidok, B. (1985). On aesthetic and artistic evaluations of the work of art. In The reasons of art/L’art a ses raisons (pp. 295–396). Ottawa: University of Ottawa Press.
Foucault, M. (1973/1982). This is not a pipe. With illustrations and letters by Rene Magritte. Berkeley: University of California Press.
Fry, R. (1909/1924). An essay in aesthetics. In Vision and design. New York: Brentano’s.
Gadamer, H.-G. (1975). Truth and method. London: Sheed and Ward Ltd.
Gans, H. J. (1999). Popular culture and high culture. New York: Basic Books.
Gombrich, E. H. (1971). Norm and form, 2nd ed. London: Phaidon.
Gopnik, A. (1992). The death of an audience. The New Yorker, 68, 141–146.
Greenberg, C. (1939). Avant-garde and kitsch. Partisan Review, 6, 39–49.
Guilbaut, S. (1983). How New York stole the idea of modern art. Chicago: University of Chicago Press.
Halle, D. (1993). Inside culture. Chicago: University of Chicago Press.
Harris, M. D. (1999). Transatlantic dialogue: Contemporary art in and out of Africa. Ackland Art Museum, University of North Carolina at Chapel Hill.
Harrison, C., & Wood, P. (1992). Art in theory: 1900–1990. Oxford: Blackwell.
Hume, D. (1757/1998). On the standard of taste. In C. Korsmeyer (Ed.), Aesthetics: The big questions (pp. 137–149). Oxford: Blackwell.
Jameson, E (1981). The political unconscious. Ithaca, NY: Cornell University Press.
Jencks, C. (1973). Modern movements in architecture. Garden City, NY: Anchor.
Kant, I. (1790/1952). The critique of judgement. Oxford: Clarendon Press.
Krauss, R. (1986). The originality of the avant-garde and other modernist myths. Cambridge, MA: MIT Press.
Kurzweil, E. (1980). The age of structuralism. New York: Columbia University Press.
Langer, S. K. (1957). Problems of art. New York: Scribner’s.
Larson, M. S. (1993). Behind the postmodern faCade. Berkeley: University of California Press.
Levinas, E. (1998). Entre nous: On thinking of the other. New York: Columbia University Press.
Lyotard, J.-E (1992). The postmodern explained. Minneapolis: University of Minnesota Press.
Misztal, B. A. (2000). Informality. London: Routledge.
Mondrian, P (1920/1992). Neo-plasticism: The general principle of plastic equivalence. In C. M. Harrison & P Wood (Eds.), Art in theory 1900–1920 (pp. 287–290). Oxford: Blackwell.
Mukerji, C. (1997). Territorial ambitions and the gardens of Versailles. Cambridge: Cambridge University Press.
Owens, C. (1983). The discourse of others. In H. Foster (Ed.), The anti-aesthetic (pp. 57–82). Port Townsend, WA: Bay Press.
Reinhardt, A. (1962/1992). Art as art. In C. Harrison & P Wood (Eds.), Art in theory, 1900–1990 (pp. 806–809). Oxford: Blackwell.
Rosenberg, H. (1967). Collective, ideological, combative. In T. B. Hess & J. Ashbery (Eds.), Avant-garde art (pp. 81–92). London: Collier-Macmillan.
Santayana, G. (1896/1955). The sense of beauty. New York: The Modern Library.
Sartre, J.-P. (1948). Existentialism and humanism. London: Methuen.
Saunders, E S. (1999). Who paid the piper? London: Granta Books.
Senie, H. E, & Webster, S. (Eds.). (1992). Critical issues inpublic art. Washington, DC: Smithsonian Institution Press.
Shrum, W. M., Jr. (1996). Fringe and fortune. Princeton, NJ: Princeton University Press.
Smithson, R. (1979). Cultural confinement, In N. Holt (Ed.), The writings of Robert Smithson (pp. 132–133). New York: New York University Press.
Vattimo, G. (1985). Aesthetics and the end of epistemology. In P J. McCormick (Eds.), The reasons of art/L’art a ses raisons (pp. 287–295). Ottawa: University of Ottawa Press.
Virilio, P. (1994). The vision machine. Bloomington: Indiana University Press.
Williams, R. (1961). The long revolution. New York: Columbia University Press.
Wood, R. E. (1999). Placing aesthetics. Athens: Ohio University.
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2001 Springer Science+Business Media, LLC
About this chapter
Cite this chapter
Blau, J.R. (2001). Alley Art: Can We... See... at Last, the End of Ontology?. In: Turner, J.H. (eds) Handbook of Sociological Theory. Handbooks of Sociology and Social Research. Springer, Boston, MA . https://doi.org/10.1007/0-387-36274-6_10
Download citation
DOI: https://doi.org/10.1007/0-387-36274-6_10
Publisher Name: Springer, Boston, MA
Print ISBN: 978-0-387-32458-6
Online ISBN: 978-0-387-36274-8
eBook Packages: Springer Book Archive