Abstract
Multichannel sound systems such as those used in movie or music reproduction in 5.1 channel surround sound systems or new formats such as 10.2 channel immersive audio require many more tracks for content production than the number of audio channels used in reproduction. This has been true since the early days of monophonic and two-channel stereo recordings that used multiple microphone signals to create the final one- or two-channel mixes.
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© 2000 IEEE
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(2000). Immersive Audio Synthesis and Rendering Over Loudspeakers. In: Bharitkar, S., Kyriakakis, C. (eds) Immersive Audio Signal Processing. Information Technology: Transmission, Processing and Storage. Springer, New York, NY. https://doi.org/10.1007/0-387-28503-2_4
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DOI: https://doi.org/10.1007/0-387-28503-2_4
Publisher Name: Springer, New York, NY
Print ISBN: 978-0-387-28453-8
Online ISBN: 978-0-387-28503-0
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