Portrait of Nicolaes Bambeeck (companion-piece to no. A 145)

  • J. Bruyn
  • B. Haak
  • S. H. Levie
  • P. J. J. Van Thiel
  • E. Van De Wetering
Part of the Stichting Foundation Rembrandt Research Project book series (RRSE, volume 3)

Abstract

A well preserved (though probably somewhat reduced) authentic work, carrying the credible date 1641.

Keywords

Paint Layer White Lead Paint Surface Illusionistic Effect Dark Paint 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
Brussels, Musée Royal des Beaux-Arts, Cat.No. 367

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References

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    Tümpel 1986, p. 216.Google Scholar
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    F. Schmidt-Degener, ‘Portretten door Rembrandt, I. Titia van Uylenburch en François Coopal’, Onze Kunst 24 (1913), pp. 1–11.Google Scholar
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    I.H. van Eeghen, Een Amsterdamse burgemeestersdochter van Rembrandt in Buckingham Palace, Amsterdam 1958.Google Scholar
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    J.G. van Gelder, ‘Rembrandt and his circle’ [in the exhibition Dutch pictures at the Royal Academy], Burl. Mag. 95 (1953), pp. 34–39, esp. 38.xGoogle Scholar
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    Gerson 233; I.H. v[an] E[eghen], ‘De tekeningen van vader en zoon Andriessen: Agatha Bas bij Coclers’, Amstelodamum. Maandblad… 72 (1985), pp. 1–3.Google Scholar
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    I.H. van Eeghen, ‘In mijn journaal gezet’. Amsterdam 1805–1808. Het getekende dagboek van Christiaan Andriessen, Amsterdam-Alphen aan den Rijn 1983, p. 248.Google Scholar
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    J. Smith, A catalogue raisonné of the works of the most eminent Dutch, Flemish and French painters… VII, London 1836, no. 301.Google Scholar

Copyright information

© Stichting Foundation Rembrandt Research Project 1989

Authors and Affiliations

  • J. Bruyn
  • B. Haak
  • S. H. Levie
  • P. J. J. Van Thiel
  • E. Van De Wetering

There are no affiliations available

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