Branded Spaces pp 167-177 | Cite as

Heimatklänge: The Conceptual Design of Branded Spaces by Means of Sonic Branding

Chapter
Part of the Management – Culture – Interpretation book series (MCI)

Abstract

“If you don’t have anything to say, sing it.“ David Ogilvy (Ogilvy 2007: 111)

I would like to begin with this quotation of the famous advertising expert and copywriter David Ogilvy to draw the readers´ attention to an aspect of branded spaces we normally perceive unconsciously. But sounds do have an immense impact on our perception and evaluation of brands, be it in a positive or in a negative way. What does sonic branding mean? Sonic branding is the design of a brand identity by means of sound. As a part of the corporate design, sonic branding provides a brand with characteristic and distinctive sounds.

Keywords

Product Sound Brand Manager Human Voice Sound Study Ambient Sound 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Literatur

  1. Felderer, B. (2004): Die Stimme: Eine Ausstellung. In: Felderer, B. (ed.): Phonorama: Eine Kulturgeschichte der Stimme als Medium. Berlin: Matthes & Seitz Berlin, 7-21.Google Scholar
  2. Gartner, Inc. (2012): Gartner says worldwide mobile device sales to end users reached 1.6 billion units in 2010. http://www.gartner.com/it/page.jsp?id=1543014, 09.01.2012.
  3. Jackson, D. (2004): Sonic branding: An essential guide to the art and science of sonic branding. Houndmills: Palgrave Macmillan.Google Scholar
  4. Kastner, S. (2007): Klang macht Marken: Sonic Branding als Designprozess. Wiesbaden: Gabler.Google Scholar
  5. Kastner, S. (2010): Marken – Labels – Brands: Was leistet die Verpackung zur Markierung eines Produktes? In: Vaih-Baur, C. and Kastner, S. (eds.): Verpackungsmarketing: Fallbeispiele, Trends, Technologien. Wiesbaden: Deutscher Fachverlag, 27-42.Google Scholar
  6. Köln-Bonn Airport (2003): CI-Buch Köln-Bonn Airport, Unpublished Booklet.Google Scholar
  7. Ogilvy, D. (2007): Ogilvy on advertising. London: Carlton Books.Google Scholar
  8. Pinch, T. and Bijsterveld, K. (2011): The Oxford handbook of sound studies. Oxford: Oxford University Press.Google Scholar
  9. Schafer, M. (1993): The soundscape: Our sonic environment and the tuning of the world. Rochester: Inner Traditions.Google Scholar
  10. Spitzer, M. (2003): Musik im Kopf: Hören, Musizieren, Verstehen und Erleben in neuronalen Netzwerken. Stuttgart: Schattauer.Google Scholar
  11. Treasure, J. (2011): Sound business. Gloucestershire: Management Books 2000.Google Scholar
  12. Watzlawick, P., Beavin, J.H. and Jackson, D.D. (1967): Pragmatics of human communication: A study of interactional patterns, pathodologies, and paradoxes. New York: W.W. Norton.Google Scholar

Copyright information

© Springer Fachmedien Wiesbaden 2013

Authors and Affiliations

  1. 1.Berlin University of the ArtsBerlinGermany

Personalised recommendations