Users and Evaluation of Interactive Storytelling

  • Nelson Zagalo
  • Sandy Louchart
  • Maria T. Soto-Sanfiel
Part of the Lecture Notes in Computer Science book series (LNCS, volume 6432)


The manuscript includes information about the objectives, methods, participation requirements and references for the Users and Evaluation of Interactive Storytelling at the 3rd International Conference on Interactive Digital Storytelling – Edinburgh 2010.


User engagement Interactive Storytelling Evaluation 


  1. 1.
    Busselle, R., Bilandzic, H.: Measuring Narrative Engagement. Media Psychology 12(4), 321–347 (2009)CrossRefGoogle Scholar
  2. 2.
    Wirth, W., Hartmann, T., Böcking, S., Vorderer, P., Klimmt, C., Schramm, H., Saari, T., Laarni, J., Ravaja, N., Ribeiro Gouveia, F., Biocca, F., Sacau, A., Jäncke, L., Baumgartner, T., Jäncke, P.: A Process Model of the Formation of Spatial Presence Experiences. Media Psychology 9, 493–525 (2007)CrossRefGoogle Scholar
  3. 3.
    Shapiro, M.A., Peña-Herborn, J., Hancock, J.: Realism, Imagination, and Narrative Video Games. In: Vorderer, P., Bryant, J. (eds.) Playing Videogames. Motives, Responses, and Consequences, pp. 275–289. Lawrence Erlbaum, Mahwah (2006)Google Scholar
  4. 4.
    Cohen, J.: Defining identification: a theoretical look at the identification of audiences with media characters. Mass Communication & Society 4(3), 245–264 (2001)CrossRefGoogle Scholar
  5. 5.
    Propp, V.: Morphology of the folktale. University of Texas Press, Austin (1986)Google Scholar
  6. 6.
    Tomachevski, B.: Teoría de la literatura. Aki, Madrid (1982)Google Scholar
  7. 7.
    Arnheim, R.: Visual Thinking. University of Califórnia Press, USA (1969)Google Scholar
  8. 8.
    Gross, J.J., Levenson, R.W.: Emotion Elicitation Using Films. Cognition and Emotion 9(1), 87–108 (1995)CrossRefGoogle Scholar
  9. 9.
    Block, B.: The Visual Story: Creating the Visual Structure of Film, TV and Digital Media. Focal Press, USA (2001)Google Scholar
  10. 10.
    Krasner, J.: Motion Graphic Design: Applied History and Aesthetics. Focal Press (2008)Google Scholar
  11. 11.
    Lang, A., Bolls, P., Potter, R.F., Kawahara, K.: The effects of production pacing and arousing content on the information processing of television messages. Journal of Broadcasting of Electronic Media, Fall, 451–475 (1999)Google Scholar
  12. 12.
    Lombard, M., Ditton, T.B., Grabe, M.E., Reich, R.D.: The role of screen size in viewer responses to television fare. Communication reports 10(1), 95–106 (1997)CrossRefGoogle Scholar

Copyright information

© Springer-Verlag Berlin Heidelberg 2010

Authors and Affiliations

  • Nelson Zagalo
    • 1
  • Sandy Louchart
    • 2
  • Maria T. Soto-Sanfiel
    • 3
  1. 1.EngageLab / CECSUniversity of MinhoBragaPortugal
  2. 2.School of Mathematics and Computer ScienceHeriot-Watt UniversityEdinburghUnited Kingdom
  3. 3.Audiovisual Communication and Advertising I DepartmentUniversitat Autònoma de BarcelonaBarcelonaSpain

Personalised recommendations