OverWatch: Real-Time Narrative Visuals from Live Performance

  • Guy Schofield
  • Rachel Casey
  • Patrick Olivier
Part of the Lecture Notes in Computer Science book series (LNCS, volume 6133)

Abstract

OverWatch is an audio/visual performance for two musicians, involving the production of narrative visuals on-the-fly. Presented in a theatrical context, with the musicians playing beneath a large projection screen, the piece references early silent movies, specifically the expressionist films of the 1920s. However, rather than responding to the formal and narrative content of the images onscreen, the musicians in OverWatch have a direct impact upon the content and structure of the movie. The improvised musical score, translated into MIDI and audio data is used to provide camera, lighting and animation cues for a 3D engine, allowing the musicians to effectively direct a Computer Graphic film in real-time.

Keywords

Live visuals improvisation mediated performance electronic music live score 

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. 1.
    Adorno, T., Eisler, H., McCann, G.: Composing for the Films. Continuum Intl. Pub. Group (2005)Google Scholar
  2. 2.
    Kalinak, K.: Settling the score: music and the classical Hollywood film. Univ. of Wisconsin Pr. (1992)Google Scholar

Copyright information

© Springer-Verlag Berlin Heidelberg 2010

Authors and Affiliations

  • Guy Schofield
    • 1
  • Rachel Casey
    • 1
  • Patrick Olivier
    • 1
  1. 1.Culture Lab, Kings Walk, Newcastle upon TyneSchool of Computing Science, Newcastle University

Personalised recommendations