Mark C. Taylor
Mary C. Taylor is best known for his landmark work, Erring, which brought postmodern theory and radical theology into dialogue. Throughout his lifetime he has written on a wide range of topics, from architecture to Las Vegas. This chapter presents his work briefly from a critical perspective.
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- Taylor, Mark C. 1975. Kierkegaard’s Pseudonymous Authorship: A Study of Time and the Self. Princeton: Princeton University Press.Google Scholar
- ———. 1980. Journeys to Selfhood: Hegel and Kierkegaard. Berkley: University of California Press.Google Scholar
- ———. 1982a. Deconstructing Theology. New York, NY: Cross Road & Scholars.Google Scholar
- ———. 1982b. Text as Victim. In Deconstruction & Theology, ed. T. Altizer, M. Meyers, C. Raschke, et al., 58–78. New York: Crossroad.Google Scholar
- ———. 1984. Erring: A Postmodern A/Theology. Chicago: University of Chicago Press.Google Scholar
- ———. 2001. The Moment of Complexity: Emerging Network Culture. Chicago: University of Chicago Press.Google Scholar
- ———. 2004a. Confidence Games: Money and Markets in a World Without Redemption. Chicago: University of Chicago Press.Google Scholar
- ———. 2004b. What Derrida Really Meant. New York Times, October 14. Online. http://www.nytimes.com/2004/10/14/opinion/what-derrida-really-meant.html.
- ———. 2009b. End the University as We Know It. New York Times, April 26. Online. http://www.nytimes.com/2009/04/27/opinion/27taylor.html.
- ———. 2010. Crisis on Campus: A Bold Plan for Reforming Our Colleges and Universities. New York: Knopf.Google Scholar
- Taylor, Mark C., and Dietrich Christian. 2002. Grave Matters. London: Reaktion.Google Scholar