• Zachary Dunbar
  • Stephe Harrop


In conclusion, Greek Tragedy and the Contemporary Actor revisits and extends some of the key debates and tensions explored in earlier chapters. This discussion highlights key issues associated with tragedy’s ‘classical’ status, psychophysical acting, theatre histories, and the politics of performing tragedy today. It revisits a series of unresolved tensions—between text and musicality, character roles and theatrical storytelling, mimetic and transformative spatial presence, individualized character-building and choral ‘ensemble-ness’—arguing that the task of the contemporary actor must be one of active, informed self-positioning in relation to these continuums, with the precise combination of practices selected, and the relative emphasis placed upon each aspect of ancient dramaturgy, critically characterizing each modern artist’s individual creative response to the provocations of Greek tragedy.


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Copyright information

© The Author(s) 2018

Authors and Affiliations

  • Zachary Dunbar
    • 1
  • Stephe Harrop
    • 2
  1. 1.Victorian College of the ArtsUniversity of MelbourneMelbourneAustralia
  2. 2.Liverpool Hope UniversityLiverpoolUK

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