HCI, Music and Art: An Interview with Wendy Mackay
Wendy Mackay is a Research Director at INRIA Saclay—Île-de-France where she founded and directs the ExSitu research group in Human-Computer Interaction. She is a former chair of CHI. Her research interests include multi-disciplinary, participatory design methods, tangible computing, interactive paper, and situated interaction. In this interview, Mackay discusses working with artists, designers and scientists to build tools for highly creative people to support exploration, execution and sparking ideas without the tools getting in their way. Mackay discusses the principles of discoverability, appropriability and how they relate to co-adaptation for interaction designers. The importance is emphasised of evaluating what people actually do with technology, as opposed to what they were supposed to do with it.
- Alvina J, Malloch J, Mackay WE (2016) Expressive keyboards: enriching gesture-typing on mobile devices. In: Proceedings of the ACM symposium on user interface software and technology (UIST 2016), Tokyo, Japan, pp 583–593Google Scholar
- Bau O, Tanaka A, Mackay WE (2008) The A20: musical metaphors for interface design. In: Proceedings of the international conference on new interfaces for musical expression (NIME 2008), pp 361–366Google Scholar
- Ciolfi Felice M, Fidili Alaoui S, Mackay WE (2018) Knotation: exploring and documenting choreographic processes. In: Proceedings of the ACM SIGCHI conference on human factors in computing systems (CHI 2018), Montréal, Canada, 12 pagesGoogle Scholar
- Tsandilas T, Mackay WE (2010) Knotty gestures: subtle traces to support interactive use of paper. In: Proceedings of ACM advanced visual interfaces (AVI 2010), Rome, Italy, pp 147–154Google Scholar
- Tsandilas T, Letondal C, Mackay WE (2009) Musink: composing music through augmented drawing. In: Proceedings of the ACM SIGCHI conference on human factors in computing systems (CHI 2009), Boston, MA, pp 819–828Google Scholar