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Making as Research: An Interview with Kristina Andersen

  • Tom MuddEmail author
  • Kristina Andersen
Chapter
Part of the Springer Series on Cultural Computing book series (SSCC)

Abstract

Kristina Andersen designs objects and experiences to explore ideas and notions of the unknown. A central element of her practise is workshop-like experiences that expose everyday desires as drivers for ideas. They employ familiar, mundane materials—such as candy and cardboard—through which several planes collide: the possible, the unknown, the feared and the desired. These processes are aimed at allowing a broad range of knowledge to materialise as interdisciplinary knowledge, which belongs to no one. The outcomes range from requirement engineering, technology prototyping, to the making of work about technology, rather than of technology. She holds degrees in Industrial Design, Virtual Environments, and wrote her Ph.D. on “magic machines”. She was a researcher at STEIM (Studio for Electro-Instrumental Music) in Amsterdam for 15 years, and now works in the Future Everyday group at Industrial Design at TU Eindhoven as well as maintaining her own practice.

References

  1. Andersen K, Knees P (2016) The dial: exploring computational strangeness. In Proceedings of the 2016 CHI conference extended abstracts on human factors in computing systems (CHI EA ’16). ACM, New York, NY, USA, pp 1352–1358.  https://doi.org/10.1145/2851581.2892439
  2. Collins N (2009) Handmade electronic music. RoutledgeGoogle Scholar
  3. Valente CM (2013). The girl who fell beneath fairyland and led the revels there. Much-In-LittleGoogle Scholar

Copyright information

© Springer Nature Switzerland AG 2019

Authors and Affiliations

  1. 1.Reid School of MusicUniversity of EdinburghEdinburghUK
  2. 2.Future Everyday Group, LaplacegebouwTechnische Universiteit EindhovenEindhovenThe Netherlands

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