Advertisement

Well-Being of Decolonizing Aesthetics: New Environment of Art with BCI in HCI

  • Hyunkyoung ChoEmail author
  • Jin-kyung Paik
Conference paper
Part of the Lecture Notes in Computer Science book series (LNCS, volume 9735)

Abstract

This paper presents that art with BCI (Brain-Computer Interaction) is decolonizing from the dimensions of action between politics and the aesthetic in traditional knowledge systems. In order to explore the creative power of art with BCI, it proposes the concept of decolonizing aesthetics. It critiques the beauty of art with BCI, through the reframing of aesthetic activities such as aesthetic objects, aesthetic attitudes, and aesthetic values in the view of psychoanalysis. Its aim is to find out a response for alternative perspectives of reference in HCI (Human-Computer Interaction) systems and alternative ways of understanding the relationships and collaborative actions between humans and new digital technologies.

Keywords

Decolonizing aesthetics Art with BCI Brain-Computer collaborative action Beauty Aesthetic objects Attitudes Values 

Notes

Acknowledgments

This work was supported by the National Research Foundation of Korea Grant funded by the Korean Government(NRF-2014S1A5B8044097)

References

  1. 1.
    Hyunkyoung, C., Joonsung, Y.: Performative art: the politics of doubleness. Leonardo 42(3), 282–283 (2009). The MIT Press, CambridgeCrossRefGoogle Scholar
  2. 2.
    Latour, B.: We Have Never Been Modern. Harvard University Press, Cambridge (1993)Google Scholar
  3. 3.
    Zizek, S.: From virtual reality to the virtualization of reality. In: Trend, D. (ed.) Reading Digital Culture. Blackwell Publishing, Oxford (2001)Google Scholar
  4. 4.
    Lacan, J.: Book II: The Ego in Freud’s Theory and in the Technique of Psychoanalysis. Cambridge University Press, Cambridge (1988). Tomaselli, S. (trans.)Google Scholar
  5. 5.
    Freud, S.: The Interpretation of Dreams. NuVision Publications, London (2007)Google Scholar
  6. 6.
    Zizek, S.: Tarrying with the Negative: Kant, Hegel, and the Critique of Ideology. Duke University Press, Durham (1933)Google Scholar
  7. 7.
    Zizek, S.: From virtual reality to the virtualization of reality. In: Trend, D. (ed.) Reading Digital Culture. Blackwell Publishing, Oxford (2001)Google Scholar
  8. 8.
    Barthes, R.: The Pleasure of the Text. Hill and Wang, New York (1975). Miller, R. (trans.)Google Scholar
  9. 9.
    Barthes, R.: Image-Music-Text. Hill and Wang, New York (1977). Heath, S. (trans.)Google Scholar
  10. 10.
    Hegel, G.W.F.: Aesthetics. Oxford University Press, London (1975). Knox, T.M. (trans.)Google Scholar
  11. 11.
    Adorno, T.W.: Aesthetic Theory. Minnesota University Press, Minneapolis (1988). Hullot-Kentor, R. (trans.)Google Scholar
  12. 12.
    Virilio, P.: The Vision Machine. Indiana University Press, Bloomington (1994)Google Scholar
  13. 13.
    Foster, H.: Blinded insights: on the modernist reception of the art of the mentally Ill. 97, 3–30 (2001). The MIT Press, CambridgeGoogle Scholar
  14. 14.
    Klee, F.: Paul Klee: His Life and Work in Documents. George Braziller, New York (1962)Google Scholar
  15. 15.
    Klee, P.: The Inward Vision. Harry Abrams, New York (1959). Guterman, N. (trans.)Google Scholar
  16. 16.
    Virilio, P.: Big optics. In: Weibel, P. (ed.) On Justifying the Hypothetical Nature of Art and Non-identically Within the Object World. Walther Koenig, Koln (1992)Google Scholar
  17. 17.
    Virilio, P.: Speed and information: cyberspace alarm! In: Trend, D. (ed.) Reading Digital Culture. Blackwell Publishing, Malden (2001)Google Scholar
  18. 18.
    Manovich, L.: The Language of New Media. The MIT Press, Cambridge (2001)Google Scholar
  19. 19.
    Rader, M., Jessop, B.: Art and Human Values. Prentice-Hall Inc., New York (1976)Google Scholar
  20. 20.
    Marx, K.: Capital: A Critique of Political Economy, vol. 1. International Publishers Co., New York (1967)Google Scholar
  21. 21.
    Freud, S.: Civilization and Its Discontents. W.W. Norton & Company, New York (1961). Strachey, J. (trans.)Google Scholar
  22. 22.
    Danto, A.: Moving pictures. In: Philosophizing Art. California University Press, California (2001)Google Scholar
  23. 23.
    Wright Mills, C.: The Sociological Imagination. Oxford University Press, London (2000)Google Scholar

Copyright information

© Springer International Publishing Switzerland 2016

Authors and Affiliations

  1. 1.ASPECTVirginia TechBlacksburgUSA
  2. 2.u-Healthcare Design Institute, Design InstituteInje UniversityGimhaeSouth Korea
  3. 3.College of Design, Design InstituteInje UniversityGimhaeSouth Korea

Personalised recommendations