This paper is interested in the artistic possibilities of systematic translations of sound or music into three-dimensional form. The generation of static two and three-dimensional form based on music or sound has been used by various artists, architects, scientists and technicians.
The time-based attributes of a sound can be directly transformed into spatial dimensions of the generated form. A two-dimensional example is the visualisation of a sound wave in which the time of the sound is recorded from left to right, while the frequency, another time-based attribute of the sound, is recorded in the vertical direction.
Many attempts in generating systematic three-dimensional translations are taking the form of single-surface morphologies, due to most data which can be extracted from a sound being dependent variables for any given time-frequency coordinate. We are proposing a system of analysing reassigned sound data within a variable time frame as a tool to extract multiple consecutive layers of information, which in their combination have the potential to form non-surface morphologies.
The artistic possibilities of the morphologies as an architectural geometry has been tested with the design of an exhibition for Design Shanghai 2013.
KeywordsArchitecture Sound Data Form Reassignment Echo
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