Augmented Reality Art pp 277-294
Spatial Narratives in Art
The text analyzes the work of artists who use augmentation, information and immersion in specific contexts—public or private spaces. The aim of the analysis is to understand socio-cultural transformations in the fields of art and technology in social space and what new forms of aggregation and participation have developed, providing an opportunity to reflect on new concepts of democracy that are emerging in our global media age. The question underlying the study is how do artists who use augmentation, information and immersion give new meaning to the concept of public space, changing the proprietary boundaries of that space and concept of what it is to perceive reality.
- Bolter JD, Grusin R. Remediation. Understanding new media. Cambridge, UK: MIT Press; 1999.Google Scholar
- Bridle J. The New Aesthetic, Really Interesting Group (blog), May 6, 2011, blog http://www.riglondon.com/blog/2011/05/06/the-new-aesthetic. Accessed 24 Apr 2012.
- Carpenter J. They live, dir., (Alive Films, Larry Franco Production), 1988. Based on the short story Eight O’Clock in the Morning by Ray Nelson.Google Scholar
- CONT3XT.NET, Blemish, May 30, 2011. The Invisible Pavilion, official website. http://www.theinvisiblepavilion.com/2011/05/30/pixelerror/. Accessed 21 Apr 2012.
- Foucault M. Naissance de la Biopolitique: Cours au Collège de France, 1978–1979. Paris: Gallimard/Seuil; 2004.Google Scholar
- Gibson W. Google’s Earth, The New York Times, 31 Aug 2010. http://www.nytimes.com/2010/09/01/opinion/01gibson.html. Accessed 20 Apr 2012.
- Huberman J. The quotable atheist: ammunition for nonbelievers, political junkies, gadflies, and those generally hell-bound. New York: Nation Books; 2007. p. 103.Google Scholar
- Les Liens Invisibles, official website, The apparition of the unicorn, pink and invisible at the same time. April 24, 2011. http://www.lesliensinvisibles.org/2011/04/the-invisible-pink-unicorn-art-overtakes-faith-in-imagination/. Accessed 10 Apr 2012.
- Manifest.AR, official website. http://www.manifestar.info/. Accessed 22 Apr 2012.
- Manovich L. The poetics of augmented space, (CreativeCommonsAttribution-NonCommercial-NoDerivs2.5License, 2005), 1. www.manovich.net/DOCS/Augmented_space.doc/. Accessed 17 Apr 2012.
- Molleindustria, official website. Augmented Perspective, 2012. molleindustria.org/augmentedperspective/index.html. Accessed 24 Apr 2012.
- REFF. RomaEuropa FakeFactory, REFF AR Drug, The invisible pavilion (2011)Google Scholar
- Skwarek M, Veenhof S. We AR in MoMA, Conflux Festival official website. http://www.confluxfestival.org/projects/conflux-festival-2010/we-ar-in-moma/. Accessed 24 Apr 2012.
- Thiel T. e-mail massage to author, April 18, 2012.Google Scholar
- Watz M. The problem of perpetual newness. In: Julia Kagansky, editor. In response to Bruce Sterling’s ‘Essay on the New Aesthetic’, The Creators Project (blog), April 6, 2012. http://thecreatorsproject.com/blog/in-response-to-bruce-sterlings-essay-on-the-new-aesthetic/#3 (2012). Accessed Apr 2012.