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Childhood and the War, Trauma and Innocence

  • Ahmed Bedjaoui
Chapter
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Part of the Palgrave Studies in Arab Cinema book series (PASTARCI)

Abstract

At its beginnings, the priority for combative Algerian cinema was to feed international news networks with pictures of the liberation war taken in the fire of action. With this in view, the GPRA decided to produce a few short films in 1960. One of these films used a child to represent the suffering of Algerian refugees. When Yasmina, made by Mohammed Lakhdar-Hamina and Djamel Chanderli, is viewed again today, its spontaneity, its efficiency, and its degree of response to historic demand are striking.

Copyright information

© The Author(s) 2020

Authors and Affiliations

  • Ahmed Bedjaoui
    • 1
  1. 1.University of Algiers IIIDély IbrahimAlgeria

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