This chapter outlines the book’s theoretical underpinnings, questions, and its structure and empirical contributions. Situating Palestinian theatre in the context of Israeli settler-colonialism, this chapter delineates an analytical framework primarily inspired by the concept of ‘colonial abjection.’ If the Zionist public sphere reveals itself through the ways in which Palestine and Palestinians are rendered abject, then the Nakba resulting from the creation of Israel serves as the nurturing logic for Palestinian cultural works. Palestinian theatre manifests as a form of anti-colonial resistance through the becoming-subject of what can be defined as an ‘abject counterpublic.’ Mapping these sites of contestation, this book explores the tactics theatre-makers adopt to evade the Zionist public sphere, the emerging counter-discourses, and how these discourses are articulated in performance spaces.
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