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PARIESA: Practice and Research in Enactive Sonic Art

  • Lauren HayesEmail author
Chapter
Part of the Springer Series on Bio- and Neurosystems book series (SSBN, volume 10)

Abstract

This research presents an overview of the extended applications of enactive and embodied music cognition within creative music and sonic art practice. Digital and haptic technologies, improvisation, and performance have been used to explore a range of interdisciplinary collaborations from pedagogy to health and wellbeing, as well as music perception.

Keywords

Music Haptics Performance Digital instrument design Sound Touch 

Notes

Acknowledgements

Images courtesy of Craig Jackson and Jason Thrasher.

Supplementary material

Media Example 1

Excerpts from audio-haptic installation, Skin Music, 2012 (MOV 42744 kb)

476737_1_En_7_MOESM2_ESM.mp4 (28.7 mb)
Media Example 2Figurine-Operated String, 2012 (for piano and live electronics) (MP4 29419 kb)
Media Example 3

Improvising with the hybrid analogue-digital performance system (MP4 82148 kb)

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Copyright information

© Springer Nature Switzerland AG 2019

Authors and Affiliations

  1. 1.Arts, Media and Engineering, Arizona State UniversityTempeUSA

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