Epilogue: (Re)Sonorous Tempest

  • Dylon Lamar RobbinsEmail author


As a reprise of problems initially suggested in the introduction, the epilogue cites the work of Glauber Rocha, specifically his film Der Leone Have Sept Cabeças, as a model for thinking about sound’s role as a metric for time and its possibility in the organization of the moving image.

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© The Author(s) 2019

Authors and Affiliations

  1. 1.Department of Spanish and Portuguese/Center for Latin American and Caribbean Studies (CLACS)New York UniversityNew YorkUSA

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