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Abstract

Much has been written about the films mentioned in this volume—so much, in fact, that attempting to briefly mention all the sources which pertained to them in fragments or in their entirety would either produce a very thick book, or leave no space for the inclusion of the author’s own analysis. Hence, the main focus of the monograph was entirely different—that of succinctly suggesting new approaches to the classic (and one might presume almost overanalyzed) works and to provide an alternative to the already established theoretical assumptions based on the thought of one of the most original and incisive thinkers of the twentieth century.

Copyright information

© Springer Nature Switzerland AG 2019

Authors and Affiliations

  1. 1.Zakład Filologii Angielskiej, Wydział Pedagogiczno-ArtystycznyAdam Mickiewicz UniversityPoznańPoland

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