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SELFHOOD: An Evolutionary and Interactive Experience Synthesizing Images and Sounds

  • Jonatas Manzolli
  • Artemis MoroniEmail author
  • Guilherme A. Valarini
Conference paper
Part of the Lecture Notes in Computer Science book series (LNCS, volume 11265)

Abstract

The SELFHOOD installation was conceived aiming to instigate a reflection on the self through a practical and interactive experience. A representation of each participant is created in a form of a cloud of points and a sound drone, suggesting their selves. The dynamics of the visitors’ movements is sonified in such way that colours and sound textures are fused in a surrounding hexaphonic system. CromaCrono≈, the system for immersive improvisation that produces digitally synthesized sounds in real time, is described. Philosophical concepts concerning notions of the Self are presented. We propose that the notion of Presence can be induced by virtual and/or physical sources of stimulation governed by a number of principles that underlie human experience, creativity, and discovery. The methodological point of view is that the notion of Presence indicates that there are essential inputs for the construction of self-referral agents.

Keywords

Evolutionary systems Interactivity Multimodal installation Presence Self Sound synthesis 

Notes

Acknowledgments

We thank Thomas Taichi Okubo for his commitment and dedication. We thank Georges Schwarzstein for his careful review and appropriate suggestions. Okubo and Valarini were supported by the PIBIC/CNPq program and Manzolli is supported by projects 470358/2014-9 and 305065/2014-9 also from CNPq. The sensory devices used on SELHOOD installation were provided by project FAPESP 2013/26453-1.

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Copyright information

© Springer Nature Switzerland AG 2018

Authors and Affiliations

  • Jonatas Manzolli
    • 1
  • Artemis Moroni
    • 2
  • Guilherme A. Valarini
    • 2
  1. 1.IA, NICS/University of Campinas – UNICAMPCampinasBrazil
  2. 2.CTI Renato ArcherCampinasBrazil

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