Abstract

Every biography of Shakespeare quotes Greene’s1 death-bed attack upon ‘an absolute Iohannes fac totum’ who ‘is in his owne conceit the onely Shake-scene in a countrey’, the earliest surviving indication that the young man from Stratford had now (September 1592) won a place for himself in the literary world of London: yet no biographer appears to have noticed that Greene had more to say about his rival in the same pamphlet. This is because, writing his autobiography in a curiously oblique way, Greene teases the reader by sliding from romance to private reminiscence to fable, from third to first person and back to third. Once his circling technique is understood, however, it becomes difficult to resist the conclusion that he proceeded from the only Shake-scene in a country to the fable of the grasshopper and the ant in order to pillory Shakespeare as the ant — a ‘waspish little worme’.

Keywords

Personal Attack Good Nature External Evidence Small Hope True Nobility 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes and References

  1. 3.
    J. Prime, The Consolations of David (1588) A4b.Google Scholar
  2. 4.
    Caxton’s Aesop, ed. R. T. Lenaghan (Harvard University Press, 1967) pp. 133–4.Google Scholar
  3. 8.
    Henslowe Papers, ed. W. W. Greg (1907) p. 81.Google Scholar
  4. 15.
    G. L. Hosking, The Life and Times of Edward Alleyn (1952) p. 17.Google Scholar
  5. 19.
    See A. M. Nagler, Shakespeare’s Stage (New Haven, 1958) p. 75ff.Google Scholar
  6. 21.
    See William Ingram, A London Life in the Brazen Age Francis Langley 1548–1602 (1978) p. 145.CrossRefGoogle Scholar
  7. 29.
    E. R. C. Brinkworth, Shakespeare and the Bawdy Court of Stratford (1972) p. 80.Google Scholar
  8. 34.
    C. Ockland, Elizabeth Queene (1585) Dlb.Google Scholar
  9. 35.
    R. M. Cummings, Spenser The Critical Heritage (1971) p. 116.CrossRefGoogle Scholar
  10. 39.
    Cf. Alvin B. Kernan, The Playwright as Magician (1979) ch. I.Google Scholar
  11. 45.
    A. Scoloker, Daiphantus (quoted from E. Arber, An English Gamer, vol. VII (1883).Google Scholar

Copyright information

© E.A.J. Honigmann 1982

Authors and Affiliations

  • E. A. J. Honigmann

There are no affiliations available

Personalised recommendations