Handbook of Signal Processing in Acoustics pp 375-397 | Cite as
Instrument Modeling and Synthesis
Chapter
During the 1970s and 1980s, before synthesizers based on direct sampling of musical sounds became popular, replicating musical instruments using frequency modulation (FM) or wavetable synthesis was one of the “holy grails” of music synthesis. Synthesizers such as the Yamaha DX7 allowed users great flexibility in mixing and matching sounds, but were notoriously difficult to coerce into producing sounds like those of a given instrument. Instrument design wizards practiced the mysteries of FM instrument design.
Keywords
Genetic Algorithm Modulation Index Instrument Modeling Genetic Algorithm Method Amplitude Envelope
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