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Global Horror: Pale Horse, Pale Rider

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The Palgrave Handbook to Horror Literature

Abstract

Punter begins with an overview of Julia Kristeva’s Powers of Horror, then addresses a number of themes within recent global horror, citing exemplary texts: the body and race (Helen Oyeyemi, White Is for Witching and The Opposite House); migration and the refugee (Andrea Levy, Small Island, and Jamaica Kincaid, A Small Place); totalitarianism and torture (Adam Johnson, The Orphan Master’s Son, and Haruki Murakami, Hard-Boiled Wonderland and the End of the World); war and zombification (Richard Flanagan, The Narrow Road to the Deep North, and Max Brooks, World War Z); vampires and hysteria (Carlos Fuentes, Vlad, and John Ajvide Lindqvist, Let the Right One In); perversion and phobia (Patrick Süskind, Perfume, and Kim Sōk-pōm, The Curious Tale of Mandogi’s Ghost); pedophilia and abjection (Toni Morrison, The Bluest Eye); and class and blindness (James Kelman, How Late It Was, How Late).

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Notes

  1. 1.

    See Gilles Deleuze and Félix Guattari, for example, A Thousand Plateaus, translated by Brian Massumi (1987).

  2. 2.

    See Tom McCarthy, for example, Remainder (2006).

  3. 3.

    See Jean Genet, Our Lady of the Flowers (1943), and Leonard Cohen, “Suzanne” (1967).

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Punter, D. (2018). Global Horror: Pale Horse, Pale Rider. In: Corstorphine, K., Kremmel, L. (eds) The Palgrave Handbook to Horror Literature. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-97406-4_15

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