Skip to main content

Spectral Spaces: Haunting in the Latin American City

  • Chapter
  • First Online:

Part of the book series: Hispanic Urban Studies ((HUS))

Abstract

Sierra studies the role of the spectral in contemporary Argentinean fiction through the works of Mariana Enriquez and Samantha Schweblin as it molds and transforms urban space. By employing theories from urban and spectralities studies, she analyzes how the spirits of the dead are woven into the very fabric of the city, as represented in the fiction by Enriquez and Schweblin. As in the fantastic genre, spectral geographies always produce and are produced through a degree of hesitancy. Haunted spaces and ghostly geographies often engender an interpretative position caught or frozen between a familiar explanation of events and a purely supernatural explanation of situations. This uncertainty or hesitancy is the specificity of spectral geographies. Sierra locates the fiction by Enriquez and Schweblin into the context of contemporary Argentinean society in order to study the spectral not only as a trope but also to see the ghost as a social figure.

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   84.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   109.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD   109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

Bibliography

  • Augé, Marc. 1997. Non-Places. Introduction to an Anthropology of Supermodernity. Translated by John Howe. London: Verso.

    Google Scholar 

  • Avelar, Idelber. 1999. The Untimely Present. Postdictatorial Latin American Fiction and the Task of Mourning. Durham: Duke University Press.

    Google Scholar 

  • Blanco, Maria del Pilar, and Esther Peeren, eds. 2013. The Spectralities Reader: Ghosts and Haunting in Contemporary Cultural Theory. London: Bloomsbury.

    Google Scholar 

  • Enríquez, Mariana. 2016. Las cosas que perdimos en el fuego. Barcelona: Editorial Anagrama.

    Google Scholar 

  • Fanon, Frantz. 2004. The Wretched of the Earth. Translated by Richard Phicox. New York: Grove Press.

    Google Scholar 

  • Foucault, Michel. 2008. “The Eye of Power.” In The Impossible Prison. A Foucault Reader, edited by Daniel Defert, 8–15. Nothingham: Nothingham Contemporary.

    Google Scholar 

  • García Canclini, Néstor. 2005. Hybrid Cultures. Strategies for Entering and Leaving Modernity. Translated by Christopher L. Chiappari and Silvia L. López. Minneapolis: University of Minnesota Press.

    Google Scholar 

  • Giorgi, Gabriel. 2009. “Política del monstruo.” Revista Iberoamericana 75, no. 227: 323–329.

    Google Scholar 

  • González Dinamarca, Rodrigo Ignacio. 2015. “Los niños monstruosos en El orfanato de Juan Antonio Bayona y Distancia de rescate de Samanta Schweblin.” Brumal 3, no. 2: 89–106.

    Google Scholar 

  • Gordon, Avery F. 2008. Ghostly Matters. Haunting and the Sociological Imagination. Minneapolis: University of Minnesota Press.

    Google Scholar 

  • Holloway, Julian and James Kneale. 2008. “Locating Haunting: A Ghost-Hunter’s Guide.” Cultural Geographies 15: 297–312.

    Google Scholar 

  • Jackson, Rosemary. 1995. Fantasy. The Literature of Subversion. London and New York: Routledge.

    Google Scholar 

  • Kolesnicov, Patricia and Samanta Schweblin. 2017. “Tirando del hilo de una buena historia. Entrevista con Samanta Schweblin.” Clarín. Revista Ñ. 04/08/2017. https://www.clarin.com/revista-enie/literatura/tirando-hilo-buena-historia_0_HJJRpqkwW.html (accessed December 13, 2017).

  • Lefebvre, Henri. 1991. The Production of Space. Translated by Donald Nicholson-Smith. Oxford, MA: Blackwell.

    Google Scholar 

  • Levina, Marina, and Diem-My T. Bui. 2013. Monster Culture in the 21st Century. A Reader. London: Bloomsbury.

    Google Scholar 

  • Mbembe, Achille. 2011. Necropolítica seguido de Sobre el gobierno privado indirecto. Translated and edited by Elisabeth Falomir Archambault. Barcelona: Melusina.

    Google Scholar 

  • Todorov, Tzevetan. 1973. The Fantastic: A Structural Approach to a Literary Genre. Translated by Richard Howard. London: Case Western Reserve University.

    Google Scholar 

  • Tuan, Yi-Fu. 2013. Landscapes of Fear. Minneapolis: University of Minnesota Press.

    Google Scholar 

  • Pile, Steven. 2005. Modernity, Space and the Phantasmagorias of City Life. London: Sage.

    Google Scholar 

  • Schweblin, Samanta. 2015. Distancia de rescate, 2nd ed. Barcelona: Literatura Random House.

    Google Scholar 

  • Vidler, Antony. 1992. The Architectural Uncanny. Essays in the Modern Unhomely. Cambridge, MA: MIT Press.

    Google Scholar 

  • Zavala, Lauro. 2004. “El humor como estrategia de escritura ante el laberinto urbano.” In Las ciudades latinoamericanas en el nuevo (des)orden mundial, edited by Patricio Nava and Marc Zimmerman, 353–373. México: Siglo XXI.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2019 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Sierra, M. (2019). Spectral Spaces: Haunting in the Latin American City. In: González, J., Robbins, T. (eds) Urban Spaces in Contemporary Latin American Literature. Hispanic Urban Studies. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-92438-0_3

Download citation

Publish with us

Policies and ethics