Abstract
In addition to recapitulating what the monograph has established so far, this chapter attempts to answer the question, ‘Do all of Beckett’s audience members intuit loss as they experience Beckett’s work?’
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Notes
- 1.
Gilles Deleuze and Félix Guattari, Kafka: Toward a Minor Literature, trans. Dana Polan (Minneapolis and London: University of Minnesota Press, 1986), 96 n. 16.
- 2.
Qtd in Jonathan Bignell, Beckett on Screen: The Television Plays (Manchester and New York: Manchester University Press, 2009), 186.
- 3.
Samuel Beckett, The Complete Dramatic Works. (London: Faber and Faber, 2006), 133.
- 4.
Happy Days, directed by James Bundy, performed by Dianne Weist and Jarlath Conroy (20 May 2017; Theater for a New Audience at the Polonsky Shakespeare Center, New York).
- 5.
Ibid.
Bibliography
Beckett, Samuel. 2006. The Complete Dramatic Works. London: Faber and Faber.
Bundy, James, dir. 2017. Happy Days. New York: Theater for a New Audience, Polonsky Shakespeare Center.
Deleuze, Gilles, and Félix Guattari. 1986. Kafka: Toward a Minor Literature. Trans. Dana Polan. Minneapolis/London: University of Minnesota Press.
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Chiang, M. (2018). Conclusion. In: Beckett's Intuitive Spectator. New Interpretations of Beckett in the Twenty-First Century. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-91518-0_6
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