Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print features work that does not fit comfortably within established boundaries – whether between periods or between disciplines. Uniquely, it combines efforts to engage the power and materiality of print with explorations of gender, race, and class. By attending as well to intersections of literature with the visual arts, medicine, law, and science, the series enables a large-scale rethinking of the origins of modernity.
Editorial Board: Isobel Armstrong, Birkbeck College, University of London, UK; John Bender, Stanford University, USA; Alan Bewell, University of Toronto, Canada; Peter de Bolla, University of Cambridge, UK; Robert Miles, University of Victoria, Canada; Claudia Johnson, Princeton University, USA; Saree Makdisi, UCLA, USA; Felicity A Nussbaum, UCLA, USA; Mary Poovey, New York University, USA; Janet Todd, University of Cambridge, UK.
56 Volumes from 2004 – 2018Browse All Volumes