Editors:
First overview that systematically deals with institutional critique in New Music
Linking of theoretical debates with specific case studies
Involvement of scientists, musicians and curators
This book is open access, which means that you have free and unlimited access
Part of the book series: Ästhetiken X.0 – Zeitgenössische Konturen ästhetischen Denkens (ÄZKäD)
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About this book
While institutional critique has long been an important part of artistic practice and theoretical debate in the visual arts, it has long escaped attention in the field of music. This open access volume assembles for the first time an array of theoretical approaches and practical examples dealing with New Music’s institutions, their critique, and their transformations. For scholars, leaders, and practitioners alike, it offers an important overview of current developments as well as theoretical reflections about New Music and its institutions today. In this way, it provides a major contribution to the debate about the present and future of contemporary music.
Keywords
- Institutional Critique
- Contemporary Music
- Festivals
- New Music
- Musical Production
- Open Access
Editors and Affiliations
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Hochschule für Musik und Darstellende Kunst, Stuttgart, Germany
Christian Grüny
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Division of Musicology, Lund University, Lund, Sweden
Brandon Farnsworth
About the editors
Bibliographic Information
Book Title: New Music and Institutional Critique
Editors: Christian Grüny, Brandon Farnsworth
Series Title: Ästhetiken X.0 – Zeitgenössische Konturen ästhetischen Denkens
Publisher: J.B. Metzler Berlin, Heidelberg
eBook Packages: J.B. Metzler Humanities (German Language)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2023
License: CC BY
Softcover ISBN: 978-3-662-67130-6Due: 27 September 2023
eBook ISBN: 978-3-662-67131-3Due: 27 September 2023
Series ISSN: 2662-1398
Series E-ISSN: 2662-1401
Edition Number: 1
Number of Pages: XII, 160
Topics: Contemporary Music, Theatre and Performance Arts, Aesthetics, Philosophy of Music