Overview
- First interdisciplinary examination in English of Italian women’s contributions to cultural production in modern Italy
- Explores literary, artistic and intellectual labour as collective enterprises
- Interdisciplinary approach, bringing together a broad range of voices, both within and beyond academia
Part of the book series: Italian and Italian American Studies (IIAS)
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Table of contents (26 chapters)
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Front Matter
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Modeling Female Labor
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Front Matter
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Performance as Strategy
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Front Matter
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Questions of Female Authority
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Front Matter
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Collaborations, Networks and Support Systems
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Front Matter
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Keywords
About this book
This book is the first critical interdisciplinary examination in English of Italian women’s contributions to intellectual, artistic, and cultural production in modern Italy. Examining commonalities and diversities from the country’s Unification to today, the volume provides insight into the challenges that Italian women engaged in cultural production have faced, and the strategies they have deployed in order to achieve their objectives. The essays address a range of issues, from women’s self-identification and public ownership of their professional roles as laborers in the intellectual and cultural realm, to questions about motherhood and financial remuneration, to the role of creative foreign women in Italy. Through critical analysis and direct testimony from new and typically marginalized voices, including an Arab-Italian writer, an Italian-Dominican filmmaker, and a transgender activist, new forms of ongoing struggle emerge that redefine the culturally diverse landscape of femaleintellectual and creative production in Italy today. The volume rethinks a solely national “Made in Italy” reading of the subject of female intellectual labor, demonstrating instead the wide network of influences and relationships that have existed for Italian women in their professional aspirations.
Editors and Affiliations
About the editors
Sharon Hecker is an Independent Art Historian and Curator specializing in modern and contemporary Italian art. Her publications include A Moment’s Monument: Medardo Rosso and the International Origins of Modern Sculpture (2017), Postwar Italian Art History: Untying ‘The Knot’ (2018), and Curating Fascism: Exhibitions and Memory from the Fall of Mussolini to Today (2022). She is Editor of the Visual Cultures and Italian Contexts Series for Bloomsbury Visual Arts.
Catherine Ramsey-Portolano is Associate Professor and Director of the Italian Studies Program at The American University of Rome, Italy. Her publications include Nineteenth-Century Italian Women Writers and the Woman Question (2020), Performing Bodies: Female Illness in Italian Literature and Cinema (2017), The Future of Italian Teaching: Media, New Technologies and Multi-Disciplinary Perspectives (2015), and The Italianist special issue Rethinking Neera (2010), co-edited with Katharine Mitchell.
Bibliographic Information
Book Title: Female Cultural Production in Modern Italy
Book Subtitle: Literature, Art and Intellectual History
Editors: Sharon Hecker, Catherine Ramsey-Portolano
Series Title: Italian and Italian American Studies
DOI: https://doi.org/10.1007/978-3-031-14816-3
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2023
Hardcover ISBN: 978-3-031-14815-6Published: 15 April 2023
Softcover ISBN: 978-3-031-14818-7Published: 15 April 2024
eBook ISBN: 978-3-031-14816-3Published: 13 April 2023
Series ISSN: 2635-2931
Series E-ISSN: 2635-294X
Edition Number: 1
Number of Pages: XXVI, 442
Number of Illustrations: 28 b/w illustrations, 26 illustrations in colour
Topics: Comparative Literature, Arts, History of Italy, History, general