Violent Women in Contemporary Cinema

  • Janice Loreck

Table of contents

  1. Front Matter
    Pages i-vii
  2. Janice Loreck
    Pages 1-17
  3. Janice Loreck
    Pages 100-121
  4. Janice Loreck
    Pages 142-152
  5. Back Matter
    Pages 153-179

About this book

Introduction

Violent Women in Contemporary Cinema explores the representation of homicidal women in six contemporary films: Antichrist (Lars von Trier, 2009), Trouble Every Day (Claire Denis, 2001), Baise-moi (Coralie Thinh Thi and Virginie Despentes, 2000), Heavenly Creatures (Peter Jackson, 1994), Monster (Patty Jenkins, 2003) and The Reader (Stephen Daldry, 2008). Violent women in cinema pose an exciting challenge to viewers—when women kill, they overturn cultural ideas of 'typical' feminine behaviour. Janice Loreck explores how cinema creatively depicts the violent woman in response to this challenge. Departing from earlier studies that focus on popular and exploitation cinema, the book takes a unique focus on violent women in art films and other critically-distinguished forms. It explores the appeal that the violent woman holds for spectators within this viewing context. Furthermore, the book also examines how cinema responds to the cultural construction of the violent woman as a conundrum and enigma.

Keywords

Violence women cinema art cinema independent cinema film violent women subjectivity spectatorship popular cinema exploitation cinema feminism feminist theory gender homicide horror cinema film studies media studies cultural studies Cultural Studies Sex violence

Authors and affiliations

  • Janice Loreck
    • 1
  1. 1.Monash UniversityAustralia

Bibliographic information

  • DOI https://doi.org/10.1057/9781137525086
  • Copyright Information The Editor(s) (if applicable) and The Author(s) 2016
  • Publisher Name Palgrave Macmillan, London
  • eBook Packages Social Sciences
  • Print ISBN 978-1-349-70707-2
  • Online ISBN 978-1-137-52508-6
  • About this book