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Table of contents (15 chapters)
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Introduction
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Identities — New Epistemologies and Ontologies
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(Ex)Posing Identity — Embodied Art Practices
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Empowerment/Disempowerment in Digital Performance
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Blurring the Boundaries: The Delimited Self
Reviews
'...this is an important addition to the material on performance and technology and its impact on embodied performance practices. In its ambition and scope this volume will be of interest to those concerned with somatic practice and the range of emergent thinking and multiple impacts of digital technologies deployed in contemporary performance.' - Scott Palmer, New Theatre Quarterly
'...a solid collection of interesting and insightful case studies of performance events and practices incorporating media technologies.' - David Z. Saltz, Theatre Journal
'This book has something to offer those interested in the confluence of performance and technology from practitioners to scholars of all levels, as well as those outside the academy with an active interest in this type of performance work.' - Sophie Lally, Contemporary Theatre Review
About the authors
Bibliographic Information
Book Title: Identity, Performance and Technology
Book Subtitle: Practices of Empowerment, Embodiment and Technicity
Editors: Susan Broadhurst, Josephine Machon
Series Title: Palgrave Studies in Performance and Technology
DOI: https://doi.org/10.1057/9781137284440
Publisher: Palgrave Macmillan London
eBook Packages: Palgrave Theatre & Performance Collection, Literature, Cultural and Media Studies (R0)
Copyright Information: Palgrave Macmillan, a division of Macmillan Publishers Limited 2012
Hardcover ISBN: 978-0-230-29888-0Published: 23 October 2012
Softcover ISBN: 978-1-349-33510-7Published: 01 January 2012
eBook ISBN: 978-1-137-28444-0Published: 23 October 2012
Series ISSN: 2947-5848
Series E-ISSN: 2947-5856
Edition Number: 1
Number of Pages: XXI, 234
Topics: Performing Arts, Theatre History, Theatre and Performance Studies