When collective memory is a source of national debate, the public representation of history quickly becomes a locus of controversy and ideological struggle. This work shows how French film has allowed for a public airing of current concerns through the lens of memory's recreations of the Occupation.
Keywords
cinema Europe film history
Bibliographic information
DOIhttps://doi.org/10.1057/9780230612105
Copyright InformationPalgrave Macmillan, a division of Nature America Inc. 2008