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Hong Kong and Bollywood

Globalization of Asian Cinemas

  • Joseph Tse-Hei Lee
  • Satish Kolluri

Part of the Global Cinema book series (GLOBALCINE)

Table of contents

  1. Front Matter
    Pages i-xv
  2. Satish Kolluri, Joseph Tse-Hei Lee
    Pages 1-25
  3. The Politics of Representation and Representation of Politics

  4. The Crisis of Representation and Representation of Crisis

  5. The Aesthetics of Representation and Representation of Aesthetics

  6. Back Matter
    Pages 295-300

About this book

Introduction

This volume examines the transmission, reception, and reproduction of new cinematic styles, meanings, practices, and norms in early twenty-first-century Asia. Hong Kong and Bollywood offers new answers to the field of inter-Asian cultural studies, which has been energized by the trends towards transnationalism and translatability. It brings together a team of international scholars to capture the latest development in the film industries of Hong Kong and Mumbai, and to explore similar cross-cultural, political, and socioeconomic issues. It also explains how Hong Kong and Bollywood filmmakers have gone beyond the traditional focus on nationalism, urbanity and biculturalism to reposition themselves as new cultural forces in the pantheon of global cinema.

Keywords

East Asian Cinema South Asian Cinema Bollywood Hong Kong Globalization Glocalization Global Cinema Transnationalism

Editors and affiliations

  • Joseph Tse-Hei Lee
    • 1
  • Satish Kolluri
    • 2
  1. 1.Pace UniversityNew YorkUSA
  2. 2.Pace UniversityNew YorkUSA

Bibliographic information