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Cultural Identity in British Musical Theatre, 1890–1939

Knowing One’s Place

  • Ben Macpherson
Book

Part of the Palgrave Studies in British Musical Theatre book series (PSBMT)

Table of contents

  1. Front Matter
    Pages i-xv
  2. Ben Macpherson
    Pages 1-28
  3. Domestic and Personal Identities

    1. Front Matter
      Pages 29-29
    2. Ben Macpherson
      Pages 31-61
    3. Ben Macpherson
      Pages 63-90
    4. Ben Macpherson
      Pages 91-117
  4. Imperial and Ideological Identities

    1. Front Matter
      Pages 119-119
    2. Ben Macpherson
      Pages 121-153
    3. Ben Macpherson
      Pages 155-180
    4. Ben Macpherson
      Pages 181-208
    5. Ben Macpherson
      Pages 209-214
  5. Back Matter
    Pages 215-245

About this book

Introduction

This book examines the performance of ‘Britishness’ on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the vitality and centrality of the musical stage, as a global phenomenon in late-Victorian popular culture and beyond. Through a re-examination of over fifty archival play-scripts, the book comprises seven interconnected stories told in two parts. Part One focuses on domestic and personal identities of ‘Britishness’, and how implicit anxieties and contradictions of nationhood, class and gender were staged as part of the popular cultural condition. Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of ‘Britishness’, reflecting the anxieties of a nation in decline.

Keywords

Cultural identity British musical theatre Victorian popular culture Britishness Nationhood Class Gender

Authors and affiliations

  • Ben Macpherson
    • 1
  1. 1.School of Media and Performing ArtsUniversity of PortsmouthPortsmouthUnited Kingdom

Bibliographic information