The Evolution of the French Courtesan Novel

1. Front Matter

   Pages i-ix

   PDF

2. Introduction

   • Courtney Sullivan

   Pages 1-12

3. The Case for the Courtesan Novel Sub-Genre: Counter-Discourse and Intertextuality in de Chabrillan, de la Bigne, and de Pougy

   • Courtney Sullivan

   Pages 13-40

4. De Pougy’s Innovative Courtesan Fiction

   • Courtney Sullivan

   Pages 41-60

5. Co-opting the Courtesan Persona in the Faux Mémoires de Rigolboche and the Les Usages du demi-monde

   • Courtney Sullivan

   Pages 61-87

6. Colette’s Courtesan Fiction: The Final Evolution

   • Courtney Sullivan

   Pages 89-105

7. Conclusion

   • Courtney Sullivan

   Pages 107-116

8. Back Matter

   Pages 117-127

   PDF

‘Sullivan’s outstanding book is the first to show how French courtesans were fully-fledged masters of the pen as well as proverbial ladies of the night. We learn how their rewriting of classics such as The Lady of the Camellias and their response to a male “backlash” inspire Colette in previously unseen ways.’ — Nicholas White, University of Cambridge, UK

This book is about the autobiographical fictions of nineteenth-century French courtesans. In response to damaging representations of their kind in Zola and Alexandre Dumas' novels, Céleste de Chabrillan, Valtesse de la Bigne, and Liane de Pougy crafted fictions recounting their triumphs as celebrities of the demi-monde and their outcries against the social injustices that pushed them into prostitution. Although their works enjoyed huge success in the second half of the nineteenth century, male writers penned faux-memoirs mocking courtesan novels, and successfully sowed doubt about their authorship in a backlash against the profitable notoriety the novels earned these courtesans. Colette, who did not write from personal experience but rather out of sympathy for the courtesans with whom she socialized, innovated the genre when she wrote three novels exploring the demi-mondaine’s life beyond prostitution and youth.

• demi-monde
• Céleste de Chabrillan
• Valtesse de la Bigne
• Liane de Pougy
• Nana
• La Dame aux camélias
• Colette
• Chéri
• Gigi
• Les Mémoires de Rigolboche
• Sex workers

“The Evolution of the French Courtesan Novel makes an important contribution to feminist approaches to French literature. Not only does Sullivan’s study postulate a new category, but it makes a convincing case for the construction of a discourse that counters, in a way that was apparently threatening to male writers, the hegemonic male discourse surrounding fictions of the sex worker.” (Carol Mossman, H-France Review, Vol. 17 (40), August, 2017)

​ ‘Sullivan’s outstanding book is the first to show how French courtesans were fully-fledged masters of the pen as well as proverbial ladies of the night. We learn how their rewriting of classics such as The Lady of the Camellias and their response to a male “backlash” inspire Colette in previously unseen ways.’ — Nicholas White, University of Cambridge, UK

• Arts & Sciences, Washburn University of Topeka, Topeka, USA

  Courtney Sullivan

Courtney Sullivan is Professor of French at Washburn University, USA.

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