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Palgrave Macmillan
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Performing Utopias in the Contemporary Americas

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  • © 2017

Overview

  • Creates a necessary discussion on the topic of rethinking the current relevance of utopia, in a climate of global instability

  • Compiles reflections of academics in dialogue with artists and community organizers on the subject of utopia

  • Focuses on crucial, pioneering research being conducted by leaders in the academic and artistic field in order to create a discourse on utopia

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Table of contents (16 chapters)

  1. Mapping Utopias in Performance: Cross-Cultural (Dis)locations

  2. Indigenizing Utopian Performances: Colonial Legacies and Contemporary Challenges

  3. Utopia and the Performance of Social Identities: Negotiating Collective Subjectivities

Keywords

About this book

This book offers an innovative examination of the utopian impulse through performance as a proposition of practical engagement in the contemporary Americas. The volume compiles unique multidisciplinary and exploratory texts, applying diverse critical and artistic approaches. Its contributors reconceptualize utopia as a creative and theoretical method based on a commitment to sociopolitical transformation. Chapters are organized around notions of mapping utopias, indigenizing practices, political manifestations, and the construction of social identities.

Reviews

“Utopia is performed here: this books brings together essays and performances that show that ‘utopia’ is not just a distant ideal, but an everyday practice. That vision and ethos is enacted in this volume.” (Diana Taylor, New York University, USA)

“This inspiring, hopeful volume reinvigorates the potential of utopia as a concept, noting its operation in performance and representation in the Americas. These vivid essays—by artists and scholars alike—trace utopian impulses and performatives across a breathtaking range of work, illuminating the political possibilities of both performance and performatives. A necessary, transformative collection.” (Jill Dolan, author of “Utopia in Performance: Finding Hope at the Theater”)

Editors and Affiliations

  • University of British Columbia, Vancouver, Canada

    Kim Beauchesne, Alessandra Santos

About the editors

Kim Beauchesne is Associate Professor at the University of British Columbia, Canada.

Alessandra Santos is Assistant Professor at the University of British Columbia, Canada.

Bibliographic Information

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