Identifies and examines changes to live performance occasioned by the rise of digital media in contemporary theatre aesthetics
Formulates a new framework for both analyzing and creating contemporary new media performance including multimedia theatre and dance, video performance and installation
Explores how the synthesis of new dramaturgy and new media has changed the experience of live arts for the spectator
Part of the book series: New Dramaturgies (ND)
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Table of contents (9 chapters)
About this book
- New Media
- performing arts
Authors and Affiliations
The Graduate Center, City University of New York, New York, USA
Murdoch University , Perth, Australia
School of the Arts & Media, University of New South Wales, Sydney, Australia
About the authors
Peter Eckersall is Professor of Theatre at the Graduate Centre, City University of New York, USA. Recent publications include Performativity and Event in 1960s Japan: City, Body, Memory (2013).
Helena Grehan is Professor in the School of Arts, Murdoch University, Australia. Her publications include Performance, Ethics and Spectatorship in a Global Age (2009) and most recently, William Yang: Stories of Love and Death (with Edward Scheer, 2016).
Edward Scheer is Professor in the School of the Arts and Media at the University of New South Wales, Australia. He is author of The Infinity Machine (2010) and is a former President of Performance Studies international.
Book Title: New Media Dramaturgy
Book Subtitle: Performance, Media and New-Materialism
Authors: Peter Eckersall, Helena Grehan, Edward Scheer
Series Title: New Dramaturgies
Publisher: Palgrave Macmillan London
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2017
Hardcover ISBN: 978-1-137-55603-5Published: 08 May 2017
eBook ISBN: 978-1-137-55604-2Published: 28 April 2017
Series ISSN: 2947-6801
Series E-ISSN: 2947-681X
Edition Number: 1
Number of Pages: XI, 236
Number of Illustrations: 22 b/w illustrations