Overview
- Expands the existing framework for understanding music and translation in relation to each other
- Reviews and discusses the current state of research and practice in the areas of intersection between music and translation
- Investigates the creative influence of translation on music
Part of the book series: Palgrave Studies in Translating and Interpreting (PTTI)
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Table of contents (10 chapters)
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Front Matter
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Music and Translation in a Global Context
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Front Matter
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Part III
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Front Matter
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Back Matter
Keywords
About this book
This book explores how transformations and translations shape musical meanings, developments and the perception of music across cultures. Starting with the concept of music as multimodal text, the author understands translation as the process of transferring a text from one language – verbal or not – into another, interlingually, intralingually or intersemiotically, as well as the products that are derived from this process. She situates music and translation within their contemporary global context, examining the tensions between local and global, cosmopolitan and national, and universal and specific settings, to arrive at a celebration of the translational power of music and an in-depth study of how musical texts are translated. This book will be of interest to translation studies scholars who want to broaden their horizons, as well as to musicians and music scholars seeking to understand how cultural exchange and dissemination can be driven by translation.
Reviews
“Music and Translation bridges the gap between the two fields in a truly authoritative manner and will for sure be a must-read for anyone interested either in Translation Studies or Musicology, or both.” (Mariacristina Petillo, The Journal of Specialised Translation, Issue 34, January, 2020)
“Music and Translation offers us a fascinating and groundbreaking journey through the intersections and commonalities between music and translation while challenging traditional and well-established concepts of these two hybrid fields central to humanity and beyond. … The book is a must-read for students and scholars of music and translation studies, as well as anyone interested in inclusive and diverse forms of creative dialogue and exchanges beyond artistic, cultural, social and species’ borders.” (Stefania Taviano, inTRAlinea.online translation journal, intralinea.org, Vol. 22, 2020)
“Music and Translation. New mediations in the digital age takes the reader on a journey through the largely unexplored world of music and translation. This truly interdisciplinary and fascinating study surveys and investigates the intricate interactions between the two fields, challenging limitative definitions of both. Hybridity is the inescapable state of a musical piece and hybridity is the defining feature of translation today. Moreover, translation shapes music and music has an impact on translation. Both are positive forces in our global world in that they build and mediate identity, playing a crucial role in our understanding of the cultures we live in and interact with today. Prof. Desblache demonstrates convincingly that the connections between Translation Studies and musicology merit much more in depth research than they have received to date. Her book is a treasure trove of information and research opportunities for anyone with an interest in music and/or translation.” (Professor Aline Remael, University of Antwerp, Belgium)
“Music and Translation makes its debut at an opportune time, when translation is gaining traction and momentum in academia. Truly interdisciplinary in its approach, this monograph constitutes one of the first sustained, rigorous treatments of the topic, taking the reader on a fascinating journey into the intricacies and intersections of music and translation. Reading Lucile is to discover new ways of conceptualising translation and to marvel at her arresting and systematic display of ideas. Written in an accessible and elegant prose, the book, like its author, is innovative, inspiring, and ground-breaking in its exploration of music as an instrument of translation, particularly in relation to the natural world. Lucile has written a must-read primer for anyone interested in translation and music. Read this book – and learn from one of the best in our discipline.” (Professor Jorge Díaz-Cintas, University College London, UK)
“This book is highly original in bringing together two disciplines which are rarely explored in dialogue. Desblache writes fluently and with authority across both translation studies and music. The volume explores the global context of music and translation and it also sets out the need to engage further in the translation on musical texts in order to promote wider access to art, across cultures/borders. It lays out a theoretical framework for how music can be translated and can translate. The case study examples are rich in content, spanning creative activities, philosophical and psychological ways of engaging with music and translation in dialogue, as well as exploring these issues within the context of the nature world. The thrust of the book prompts inclusive and diverse human dialogue across diverse forms of creative and expressive exchange.” (Dr Helen Julia Minors, Kingston University, UK)
Authors and Affiliations
About the author
Bibliographic Information
Book Title: Music and Translation
Book Subtitle: New Mediations in the Digital Age
Authors: Lucile Desblache
Series Title: Palgrave Studies in Translating and Interpreting
DOI: https://doi.org/10.1057/978-1-137-54965-5
Publisher: Palgrave Macmillan London
eBook Packages: Social Sciences, Social Sciences (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2019
Hardcover ISBN: 978-1-137-54964-8Published: 14 June 2019
Softcover ISBN: 978-1-349-71524-4Due: 27 April 2017
eBook ISBN: 978-1-137-54965-5Published: 04 June 2019
Series ISSN: 2947-5740
Series E-ISSN: 2947-5759
Edition Number: 1
Number of Pages: XXI, 407
Number of Illustrations: 7 b/w illustrations
Topics: Translation, Music, Translation Studies, Language and Literature