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The State of Post-Cinema

Tracing the Moving Image in the Age of Digital Dissemination

  • Malte Hagener
  • Vinzenz Hediger
  • Alena Strohmaier

Table of contents

  1. Front Matter
    Pages i-xvii
  2. Informal Economies: Promises and Threats of Dissemination Technologies

  3. Informal Networks: National-Regional-Global Nexus

  4. Informal Aesthetics: Reshaping Cine-Cultures

  5. Back Matter
    Pages 225-233

About this book

Introduction

This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has become more than cinema, no longer a medium that is based on the photochemical recording and replay of movement. Most often, the state of post-cinema is conceptualized from the "high end" of the most advanced technology; discussions usually focus on performance capture and digital 3-D, 4-K projection and industrial light & magic. Here, the authors' approach is focused on the "low-end" of the circulation of filmic images. This includes informal networks of exchange and transaction, such as p2p-networks, video platforms, so called “piracy” with a special focus on the Middle East and North Africa, where political and social transformations make new forms of circulation and presentation particularly visible.

Keywords

cinema film post-cinema circulation new media transnational cinema, world cinema

Editors and affiliations

  • Malte Hagener
    • 1
  • Vinzenz Hediger
    • 2
  • Alena Strohmaier
    • 3
  1. 1.Philipps-University MarburgMarburgGermany
  2. 2.Goethe UniversityFrankfurtGermany
  3. 3.Philipps-University MarburgMarburgGermany

Bibliographic information