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The Palgrave Handbook of Sound Design and Music in Screen Media

Integrated Soundtracks

  • Liz Greene
  • Danijela Kulezic-Wilson

Table of contents

  1. Front Matter
    Pages i-xix
  2. Liz Greene, Danijela Kulezic-Wilson
    Pages 1-13
  3. Boundaries and Their Disintegration

  4. Presence, Immersion, Space

  5. Listening: Affect and Body

  6. Time and Memory

  7. Breaking Conventions

  8. The Sound of Machines and Non-Humans

  9. The Musicality of Soundtrack

  10. Back Matter
    Pages 445-468

About this book

Introduction

This book bridges the existing gap between film sound and film music studies by bringing together scholars from both disciplines who challenge the constraints of their subject areas by thinking about integrated approaches to the soundtrack. As the boundaries between scoring and sound design in contemporary cinema have become increasingly blurred, both film music and film sound studies have responded by expanding their range of topics and the scope of their analysis beyond those traditionally addressed. The running theme of the book is the disintegration of boundaries, which permeates discussions about industry, labour, technology, aesthetics and audiovisual spectatorship. The collaborative nature of screen media is addressed not only in scholarly chapters but also through interviews with key practitioners that include sound recordists, sound designers, composers, orchestrators and music supervisors who honed their skills on films, TV programmes, video games, commercials and music videos.

Keywords

audio musicality film film music cinema music

Editors and affiliations

  • Liz Greene
    • 1
  • Danijela Kulezic-Wilson
    • 2
  1. 1.Liverpool John Moores UniversityLiverpoolUnited Kingdom
  2. 2.University College CorkCorkIreland

Bibliographic information